国际艺术风向标人物——世界艺术名人袁竹专题报道
International Art weathervane -- special report of world art celebrity Yuan Zhu
胸怀千秋伟业，恰是百年风华，与奥林匹克一路去同行，从2008年北京奥运会，到2014年南京青奥会，再到2022年的北京冬奥会与2023年的中国奥艺会，中国与奥林匹克的四次“约定”，充分彰显了奥运会坚定的参与者、奥运会精神积极的践行者的大国担当。百年余来，现代奥林匹克运动历经风雨，砥砺前行。在全球疫情共克时艰的当下，艺术文化越发成为跨越国界的重要纽带。在北京冬奥会即将来临之际，期待着更多艺术家携起手来，百花齐放，举起象征团结与希望的火炬，为中国文化写下一页又一页华彩篇章。
Bearing in mind the great cause of the future, it is a century of glory to walk with the Olympics. From the 2008 Beijing Olympic Games, to the 2014 Nanjing Youth Olympic Games, to the 2022 Beijing Winter Olympic Games and the 2023 China Olympic Games, the four "agreements" between China and the Olympics fully demonstrate the great country responsibility of the firm participants of the Olympic Games and the active practitioners of the Olympic spirit. For more than a hundred years, the modern Olympic movement has gone through wind and rain and forged ahead. At a time when the global epidemic is overcoming difficulties, art and culture has increasingly become an important link across national borders. As the Beijing Winter Olympics is approaching, we look forward to more artists joining hands, letting a hundred flowers bloom, holding up the torch symbolizing unity and hope, and writing colorful chapters for Chinese culture page after page.
袁竹，别号石竹山人 逍遥画派创始人，四川省德阳市人，2022壬寅虎年《人民日报社官方贺岁台历》，与国家主席习近平同为封面人物；；《中华英才》半月刊人物风采独家专访百年英才系列人物之一；新华社主管中华人民共和国年鉴社编辑出版《中华人民共和国年鉴》(2019版)入编者，cctv央视书画频道签约艺术家、中国书画家研究会会员、国家一级美术师、清华大学美术学院终身客座教授、中国教育联盟艺术教育终身客座教授、北京宣和书画艺术研究院副院长，被中国文艺出版社出版《中国美术年鉴》(1949——2020)第二辑收录，封面封底均选登其作品，2019年10月29日，国家版权局颁发作品登记证书，作品版权作为资产包之一组成创艺星球(代码860099)于2019年10月30日在香港国际知识产权交易中心挂牌上市。2020年，享誉全球的福布斯杂志出版世界艺术专刋《艺术福布斯·世界艺坛标榜人物》，其作品也榜上有名。
One of the characters of the century old talent Series in the semi monthly magazine of Chinese talents; Xinhua news agency is in charge of editing and publishing the Yearbook of the people's Republic of China (2019 Edition). He is an editor of the Yearbook of the people's Republic of China (2019 Edition), a contracted artist of CCTV calligraphy and painting channel, a member of the Chinese calligrapher and painter Research Association, a national first-class artist, a lifelong visiting professor of the Academy of fine arts of Tsinghua University, a lifelong visiting professor of art education of China Education Alliance, and vice president of Beijing Xuanhe calligraphy and painting art research institute, It was included in the second edition of the Yearbook of Chinese Fine Arts (1949-2020) published by China literature and Art Publishing House, and its works were selected on the front and back covers. On October 29, 2019, the State Copyright Administration issued a work registration certificate. The copyright of the works, as one of the asset packages, formed creative planet (code 860099), which was listed on the Hong Kong International Intellectual Property Trading Center on October 30, 2019. In 2020, Forbes magazine, a world-renowned magazine, published the world art special book "art Forbes · people in the world of art", and its works were also listed on the list.
2016年4月，作品《山村》《荷》《晨雾》参展美国纽约2016.世界艺术博览会，其中《山村》获国际优秀奖
In April 2016, his works mountain village, lotus and morning mist were exhibited in New York, USA World art fair, in which "mountain village" won the international excellence award
2021年在庆祝建党100周年活动中，由中国美术家协会、中国书法家协会和中国文化艺术人才管理中心等单位评选为德艺双馨“人民艺术家”。
In the celebration of the 100th anniversary of the founding of the party in 2021, the Chinese Artists Association, the Chinese Calligraphers Association and the China culture and art talent management center were selected as "people's artists" with both morality and art.
2021年8月4日《时代周刊》新闻栏目中文、英文发表：跨国文化传播视界——2021年度中国国家艺术形象代表人物袁竹
On August 4, 2021, the news column of time magazine published in Chinese and English: from the perspective of transnational cultural communication -- Yuan Zhu, the representative of China's national artistic image in 2021
他坚持“不忘本来、吸收外来、面向未来”的创作方向，对山水画创作进行新的尝试丶新的探索，用国际视野来发展国画，在继承的基础上进行创新，创造，他提出新时代国画要走创新化、现代化、国际化、未来化之路的理念，并不断寻找山水画创作的突破口，经过多年的实践，新创独树一帜的“豹纹斑”、“牛毛纹”山水皴法，己取得可喜成绩，作品先后在美国纽约、德州丶俄罗斯圣彼得堡和北京等地展出，并入编世界知识出版社《新中国当代书画史》、黑龙江美术出版社《百年经典·中国近当代书画名家选集》和中国文联出版社《致敬经典·中国书画传承代表人物》等70余部画集文献，还入选“一带一路·传世国瓷”和“传世国粹·瓷酒中国”庆祝建国70周年献礼工程，两次制作成国礼。荣获纪念张大千诞辰120周年海内外书画大赛铜奖和首届传承杯国际书画大赛铜奖。已出版个人作品集:《中国书画百家精品集(袁竹卷)》《中国传世名家名作·袁竹作品集》《中国当代艺术名家·袁竹逍遥派画作品集》》 《中国传世名家名作·传承古今系列·袁竹逍遥画派作品集》 《中国当代书画名家袁竹邮册》《中国传世名家名作专题邮册(袁竹)》等。个人简历已收录进《中华人民共和国年鉴》(2019版)、《世界艺术名人录》、《世界非遗文化名录》、《世界文明互鉴》、《国家级非遗传承人大典》、《中国美术年鉴》、《福布斯》、《经典传承》、《百年翰墨》、《百年巨匠》等文献。有200余幅作品被美国、英国、意大利、澳大利亚和北京、上海、天津、台湾、香港、深圳、山东、河南、陕西、江苏、安徽、云南、新疆、四川等地社会名流和藏家收藏，作品先后在北京传世水墨 、东兴瀚海、保利厦门、美国杜邦国际拍卖公司上拍，均已成交，最低46万元，最高57·27万元。
He adhered to the creative direction of "never forgetting the original, absorbing the outside and facing the future", made new attempts and explorations on the creation of landscape painting, developed traditional Chinese painting from an international perspective, and innovated and created on the basis of inheritance. He put forward the idea that traditional Chinese painting in the new era should take the road of innovation, modernization, internationalization and futurism, and constantly looked for a breakthrough in the creation of landscape painting, After years of practice, the newly created "leopard spot" and "ox hair" landscape texturing methods have made gratifying achievements. Their works have been exhibited in New York, Texas, St. Petersburg, Russia and Beijing, and have been included in the history of contemporary calligraphy and painting in New China published by the world knowledge Publishing house China's China one belt, one road China and China calligraphy and painting collection, and more than 70 collections of literature, including the "one China handed down world porcelain" and the "quintessence of Chinese wine and porcelain", are celebrated in Heilongjiang Art Publishing House, and the two tribute ceremony has been made in two times. It won the bronze award of the 120th anniversary of Zhang Daqian's birth at home and abroad calligraphy and painting competition and the bronze award of the first inheritance Cup International Calligraphy and painting competition. He has published a collection of personal works: a collection of 100 fine Chinese Calligraphers and painters (yuan zhujuan), a collection of works of famous Chinese painters handed down from generation to generation · a collection of works of Yuan Zhu, a collection of works of famous Chinese contemporary artists · a collection of paintings of Yuan Zhu's carefree school, a collection of works of famous Chinese painters handed down from generation to generation · a series of ancient and modern inheritance · a collection of works of Yuan Zhu's carefree school, a postal album of famous Chinese contemporary calligraphers and painters Yuan Zhu, and a special stamp album of famous Chinese painters handed down from generation to generation (Yuan Zhu) Wait. My resume has been included in the Yearbook of the people's Republic of China (2019 Edition), the world art celebrities, the world list of intangible cultural heritage, the mutual learning of world civilizations, the grand ceremony of national intangible cultural heritage inheritors, the Chinese Art Yearbook, Forbes, the inheritance of classics, Centennial calligraphy, Centennial master and other documents. More than 200 works have been collected by celebrities and collectors in the United States, Britain, Italy, Australia, Beijing, Shanghai, Tianjin, Taiwan, Hong Kong, Shenzhen, Shandong, Henan, Shaanxi, Jiangsu, Anhui, Yunnan, Xinjiang, Sichuan and other places. The works have been auctioned successively in Beijing handed down ink painting, Dongxing Hanhai, poly Xiamen and DuPont international auction company, The lowest is 460000 yuan and the highest is 572700 yuan.
2016年12月，作品《天游》《山村》在世界著名的四大美术院校之一的列宾美术学院展出
In December 2016, his works Tianyou and mountain village were exhibited in leibin Academy of fine arts, one of the world's four famous art colleges
2015年12月，作品《长寿图》《山洪》在北京解放军总政治部培训基地，参加《国家名片》当代艺术大家邮册首发式交流展，
In December 2015, his works "longevity map" and "mountain torrent" participated in the first exchange exhibition of "national business card" stamp album of contemporary artists at the training base of the General Political Department of the people's Liberation Army in Beijing,
2016年4月，作品《山村》《荷》《晨雾》参展美国纽约2016.世界艺术博览会，其中《山村》获国际优秀奖;
In April 2016, his works mountain village, lotus and morning mist were exhibited in New York, USA World Art Expo, in which "mountain village" won the international excellence award;
2016年5月28日至6月1日在中国国家画院国展美术中心举办“传承与经典---袁竹国画作品展”
From May 28 to June 1, 2016, "inheritance and Classics - Yuan Zhu traditional Chinese Painting Exhibition" was held in the National Exhibition Art Center of the Chinese National Academy of painting
2016年5月28日至6月1日在中国国家画院国展美术中心举办“传承与经典---袁竹国画作品展”
2016年12月，作品《天游》《山村》在世界著名的四大美术院校之一的列宾美术学院展出;
From May 28 to June 1, 2016, "inheritance and Classics - Yuan Zhu traditional Chinese Painting Exhibition" was held in the National Exhibition Art Center of the Chinese National Academy of painting
In December 2016, his works Tianyou and mountain village were exhibited in leibin Academy of fine arts, one of the world's four famous art colleges;
2017年3月，作品《大月亮》《残荷》参加全国人大会议中心举办的“盛世焦点—特邀书画名家献礼全国两会优秀作品联展” ;
2017年4月,参加北京保利国际会展中心《中国当代艺术名家邀请展》;
In March 2017, his works "big moon" and "remnant Lotus" participated in the "focus of prosperity - joint exhibition of outstanding works of specially invited calligraphers and painters at the National People's Congress and the National People's Congress";
In April 2017, he participated in the invitation exhibition of famous Chinese contemporary artists in Beijing Poly International Convention and Exhibition Center;
2018年1月，作品《逍遥天下》在北京保利国际会展中心举办的 “中国梦文化梦名家名作全国(巡回)展”。
2018年10月25日至28日，由文化和旅游部、国家广播电视总局、国家新闻出版署与北京市人民政府共同主办的，以“引领文化产业高质量发展 助推全国文化中心建设”为主题的第十三届中国北京国际文化创意产业博览会在北京举办，主展场位于中国国际展览中心（老馆）。逍遥派画创始人袁竹应邀参展《大海之珠》《海阔凭鱼跃》等。
In January 2018, the work "carefree world" was held in the "national (tour) exhibition of famous works of famous Chinese dream cultural dreamers" at Beijing Poly International Convention and Exhibition Center.
From October 25 to 28, 2018, the 13th China Beijing International Cultural and Creative Industry Expo, CO sponsored by the Ministry of culture and tourism, the State Administration of radio and television, the State Press and Publication Administration and the Beijing Municipal People's government, with the theme of "leading the high-quality development of cultural industry and boosting the construction of national cultural center", was held in Beijing, The main exhibition hall is located in China International Exhibition Center (old museum). Yuan Zhu, the founder of Xiaoyao School of painting, was invited to participate in the Pearl of the sea, the wide sea leaping with fish, etc.
2019年5月，作品《天游》《秋韵》《佛爷山》在成都四川同心文化艺术馆举办的 “中国——荷兰文化交流展”。
2019年6月在美国德州达拉斯举办袁竹个人作品展。
In May 2019, the works "Tianyou", "autumn rhyme" and "Foye mountain" were held in the "China Netherlands cultural exchange exhibition" at Sichuan Tongxin culture and Art Museum in Chengdu.
In June 2019, Yuan Zhu's personal works exhibition was held in Dallas, Texas, USA.
2020年9月8日---10日，作品《圣山仙境》入选由中国华夏万里行书画家协会在西南书画艺术馆举办的“山河画卷.映民风书画作品展”。
2020年9月27日---30日，作品《大地》《日月同辉》入选由中国华夏万里行书画家协会、中国收藏家协会将军名人名作收藏委员会、中国关心下一代工作委员会、北京东方老年研修学院组织，在北京市密云区桃源美术馆举办 的“迎建党百年 庆抗疫胜利 渡国庆佳节——全国百位将军百位名家书画展”，获一等奖。
From September 8 to 10, 2020, the work "holy mountain fairyland" was selected into the "mountain and river painting scroll reflecting folk customs calligraphy and painting exhibition" held by China Huaxia Wanli running Calligrapher Association in southwest calligraphy and painting art museum.
From September 27 to 30, 2020, the works "the earth" and "the sun and the moon shine together" were selected and organized by China Huaxia Wanli running Calligrapher Association, the collection Committee of generals and celebrities of China collectors association, the working committee of China caring for the next generation and Beijing Oriental Institute for the elderly, "Welcoming the centennial anniversary of the founding of the party, the victory of the anti epidemic and the National Day - the national painting and calligraphy exhibition of 100 generals and 100 masters", held at Taoyuan Art Museum, Miyun District, Beijing, won the first prize.
逍遥画派创始人袁竹与国际友人在一起
Yuan Zhu, founder of Xiaoyao painting school, is with international friends
2021年2月1日，《人民日报》全媒体平台在文化栏目发表长篇作品赏析， 2021年4月，人民日报社主管《人民美术》杂志在多年刊登其多副作品外，发表封面作品。2021年7月27日，《人民美术网》在综合栏目发表作品赏析， 2021年8月4日《时代周刊》新闻栏目中文、英文发表：跨国文化传播视界——2021年度中国国家艺术形象代表人物袁竹； 2021年8月31日，《中国网》客户端发表：2021中国实力派书画人物｜袁竹；2021年8月31日，《中华网》发表：百年光辉·2021最具收藏书画｜袁竹；2021年9月8日，《人民日报》客户端发表：逍遥画派创始人袁竹上榜2022壬寅虎年《人民日报社官方贺岁台历》；2021年9月30日，《国际日报》发表：中国美术馆永久收藏逍遥画派创始人袁竹作品《金牛古道》； 2021年10月9日，《深圳之窗》发表：逍遥画派创始人袁竹两作品在新加坡上拍均已成交；2021年10月11日，《深港在线》发表 ：“广东省十大喜剧新星”安冬收藏逍遥画派创始人袁竹作品《远行》，2021年10月15日，《今日头条》发表：4年身价暴涨16倍，逍遥画派创始人袁竹画作成新宠 ； 2021年10月19日，俄罗斯《真理报》中、俄文发表 ：『中国名家名作出国门』北京与莫斯科——国家德艺双馨艺术家袁竹； 2021年10月21日，美国《纳斯达克财经网》中、英文发表 ：纳斯达克艺术收藏指南—中国宝藏艺术家袁竹； 2021年10月26日，《中国新闻报道》发表：《人民日报社官方贺岁台历》出版，逍遥画派创始人袁竹为封面人物；2021年11月1日，《华尔街财经网》发表：虎年《人民日报社官方贺岁台历》篇首发表逍遥画派创始人袁竹作品《长生》将在保利开拍 ；2021年11月，由国家广电总局监制、人民美术出品 2022壬寅虎年《人民日报社官方贺岁台历(袁竹作品集)》正式对外投放；2022年1月10 日《中华英才》半月刊发表：百年英才系列 | 袁竹。
On February 1, 2021, the all media platform of the people's Daily published a long work appreciation in the culture column. In April 2021, the people's art magazine in charge of the people's Daily published its cover works in addition to many of its works for many years. On July 27, 2021, people's art network published works appreciation in the comprehensive column, and on August 4, 2021, Time magazine published in Chinese and English: the perspective of transnational cultural communication - Yuan Zhu, the representative of China's national artistic image in 2021; On August 31, 2021, the client of Chinanet published: Yuan Zhu, a calligraphy and painting figure of China's powerful school; On August 31, 2021, Chinanet published: Centennial glory · the most Collectible calligraphy and painting Yuan Zhu; On September 8, 2021, the client of people's Daily published: Yuan Zhu, founder of Xiaoyao painting school, was listed in the official new year calendar of people's daily in the year of renyin tiger in 2022; On September 30, 2021, the International Daily published that the China Art Museum will permanently collect the work of Yuan Zhu, founder of Xiaoyao painting school, the ancient Jinniu Road; On October 9, 2021, the window of Shenzhen was published: the two works of Yuan Zhu, the founder of Xiaoyao painting school, were photographed in Singapore and have been sold; On October 11, 2021, Shenzhen Hong Kong online published "travel" by Yuan Zhu, the founder of Xiaoyao painting school, collected by an Dong, the "top ten comedy stars in Guangdong Province". On October 15, 2021, today's headlines was published: the value of Yuan Zhu, the founder of Xiaoyao painting school, has soared 16 times in four years, and the paintings of Yuan Zhu, the founder of Xiaoyao painting school, have become a new favorite; On October 19, 2021, the Russian Pravda published in Chinese and Russian: "the door for Chinese masters and masterpieces to go abroad", Beijing and Moscow - Yuan Zhu, a national artist with both virtue and art; On October 21, 2021, NASDAQ financial network published in Chinese and English: NASDAQ art collection Guide - Chinese treasure artist Yuan Zhu; On October 26, 2021, China news report published the official new year calendar of the people's daily, with Yuan Zhu, the founder of Xiaoyao painting school, as the cover character; On November 1, 2021, the wall street finance and economics network published: in the year of the tiger, the official new year calendar of the people's Daily published the first article of Yuan Zhu, the founder of Xiaoyao painting school, whose work "longevity" will be shot in poly; In November 2021, supervised by the State Administration of radio, film and television and produced by the people's fine arts, the official new year calendar of the people's daily (collection of Yuan Zhu's works) in the year of renyin tiger in 2022 was officially launched; On January 10, 2022, the semimonthly Journal of China's talents published: century of talents series | Yuan Zhu.
独研秘籍 孤标尘外
Study the secret script alone
——记著名画家袁竹
著名书画评论家 史峰
——On the famous painter Yuan Zhu
Shi Feng, a famous critic of calligraphy and painting
观赏画家袁竹的山水作品，一眼望去，大为不同！其山水的形神绝非范式作为，并没有按照千年以来的“既定技术规范”去写意，而是带着自己独创的“豹纹斑”、“牛毛纹”两大皴法，把山水画成了亘古未见的奇观！由是，观鉴他的山水作品，必有感怀：与众不同，独树一帜，可以令山水之渊妙，代不绝人！
Viewing the landscape works of painter Yuan Zhu is very different at a glance! The form and spirit of its landscape is by no means a paradigm. Instead of freehand brushwork in accordance with the "established technical specifications" for thousands of years, it has turned the landscape painting into an unprecedented spectacle with its own original "leopard pattern" and "ox hair pattern"! Therefore, when viewing his landscape works, we must have feelings: being different and unique can make the abyss of landscape wonderful and lasting!
莫说常人画山水容易限入匠工的窠臼，就算是堂堂名流作山水，也难免有取法拘泥的流弊。比如清代四王画山水，画来画去就是以粉本为上的照画描画，画不出新意，令山水文化在他们的笔墨里处于停滞僵化的状态。反观袁竹画山水，有取法为上的价值观，传统的笔墨功夫历练得炉火纯青，更有得法需自证的精研进取，笔墨当随时代的创新动能如日中天！当然可以令豹纹斑、牛毛纹两大皴法出世既有横空之姿态！
Don't say that it's easy for ordinary people to draw landscapes into the stereotype of craftsmen. Even if celebrities make landscapes, they will inevitably have the disadvantages of rigidly adhering to the law. For example, the four kings of the Qing Dynasty painted mountains and rivers, which were based on powder. They could not draw new ideas, which made the landscape culture stagnant and rigid in their pen and ink. In contrast, Yuan Zhu's landscape painting has the value of taking the method as the top. The traditional pen and ink Kung Fu has been thoroughly trained, and the method needs to be refined and enterprising. The pen and ink should be at the peak of innovation with the times! Of course, it can make the two texturing methods of leopard pattern and ox hair pattern come into being, with both horizontal and empty posture!
皴法起于五代，荆浩皴笔可作浩莽雄奇，成熟于两宋，范宽皴法可作钢打铁铸，米家雨点皴法可见氤氲气象！皴法作为表达中国山水画质感的独特技法，经由千年的流变与沉积，成为画法要义。无论是斧劈皴还是折带皴法，抑或是刮铁皴、雨点皴，并不能把所有的山水体貌都做出一一对应的表达。
The texturing method originated in the Five Dynasties. Jing Hao's texturing pen can be used as haomang majestic and mature in the two Song dynasties. Fan Kuan's texturing method can be used as steel and iron casting, and Mi Jia's raindrop texturing method can see the dense atmosphere! As a unique technique to express the texture of Chinese landscape painting, texturing has become the essence of painting through thousands of years of evolution and deposition. Whether it is axe splitting chapping or band folding chapping, or scraping iron chapping and raindrop chapping, it can not express all the landscape features one by one.
自然是无穷之物象，皴法当然在师造化的过程中，需要不断的创新与特殊的山水风貌去对应！袁竹观南国特域山水的苍与润，知道旧有皴法不能把观鉴独特山水的视觉经验作出惟妙惟肖的复建。所以他致力于新皴法的琢磨构建，经历了无数次的改进与适应，豹纹斑可以写意山水作品里植被与山岩相间互隐的空间效果，牛毛纹则重点处理了山水边界与云天边际相融相和的玄妙效果！
Nature is an infinite image. Of course, texturing needs continuous innovation to correspond to the special landscape style in the process of learning from nature! Yuan Zhu observed the brightness and embellishment of the special landscape in southern China and knew that the old texturing method could not make a vivid reconstruction of the visual experience of viewing and appreciating the unique landscape. Therefore, he is committed to the thinking and construction of the new texturing method, and has experienced countless improvements and adaptations. Leopard pattern can be used to describe the spatial effect of vegetation and rocks in freehand landscape works, while ox hair pattern focuses on the mysterious effect of the integration of landscape boundary and cloud sky edge!
山水有其道，画山水而用豹纹斑与牛毛纹，正是袁竹画山水道法自然的证见！他是一位极有写生才华的艺术家，观天悟道，牛毛纹与豹纹斑事实上是妙写天垂相的秘籍！其斑其纹，恰是对天地运行机理的塑造。从这个角度看袁竹山水的新皴法，就可以理解外师造化中得心源的创作智慧。唯有艺术智者，才可能创建远取诸物，近取诸身的皴笔新法门！从这个角度来讲，袁竹画山水，除了有山水文化古今相续的基本核心，还有独与天地精神往来的洒脱自如。由是，他创建逍遥画派就是一个水到渠成的结果，也是可以惊艳画坛的必然！
Landscape has its own way. The use of leopard spots and ox hair patterns in landscape painting is the natural evidence of Yuan Zhu's landscape painting method! He is an artist with great talent for sketching from life. Observing the Enlightenment of heaven, ox hair pattern and leopard pattern are actually the secret script for writing the vertical phase of heaven! Its spots and patterns are just the shaping of the operation mechanism of heaven and earth. From this point of view, Yuan Zhushan's new texturing method can understand the creative wisdom derived from the nature of external teachers. Only a wise man of art can create a new method of taking things from afar and bodies from near! From this point of view, Yuan Zhu's landscape painting not only has the basic core of the continuation of landscape culture from ancient to modern times, but also has the freedom to communicate with the spirit of heaven and earth. Therefore, his creation of Xiaoyao painting school is not only a natural result, but also a necessity to amaze the painting world!
独研秘籍，孤标尘外。为技法宝库贡献一种新皴法，足可以大著其名，可载史册。袁竹山水新创两种皴法，功可扛鼎！所以他的山水作品不但有技法创新层面上的价值，更有文人画山水可以夺物象之精神的文化功勋。挂一件他的作品在厅堂，雅俗共赏，蓬荜生辉。大家大作，真实不虚！
Study the secret script alone, outside the lonely mark dust. Contribute a new texturing technique to the treasure house of techniques, which can be famous and recorded in history. Yuan Zhushan created two new texturing methods, which can carry the tripod! Therefore, his landscape works not only have the value of technical innovation, but also the cultural merit that literati landscape painting can win the spirit of objects and images. Hang a piece of his work in the hall, enjoying both refined and popular tastes. Everyone's masterpiece is true!
2021年8月28日
August 28, 2021
明心见性画逍遥
Insightful painting carefree
——记著名画家袁竹
著名书画评论家 罗成
——On the famous painter Yuan Zhu
Luo Cheng, a famous critic of calligraphy and painting
因为工作的关系，日常里会有不停看画的机会。画看得多了，如果是雷同，就会觉得乏味。如果不能适情切意，说实话看画也是一很劳神累心的事情。在看画之前，总是有种期待：能看到不一样的，令人大振心颜的东西。但是希望总是很大，失望却是多多。因为现在许多人画画法无新意，意无新成，套路的东西特别多。
Because of work, there will be constant opportunities to see paintings in daily life. I've seen a lot of paintings. If they are the same, I'll feel boring. If you can't feel it, to tell you the truth, watching paintings is also a very tiring thing. Before looking at the painting, I always have a kind of expectation: I can see something different and exciting. But the hope is always great, but there are many disappointments. Because now many people's painting methods have no new ideas and ideas, and there are a lot of routine things.
当看到画家袁竹的作品之后，顿时就有眼前一亮的感觉。因为他画的山水、情景画、荷花等都画出了新气象、采用了新形式，主旨思想也有着不一般的独特性。可以这样说，遇到袁竹的画，你就感受到天地是新的，眼前的一切都是新的。所以就对他的画有了这样的判断“这是丹青创新的新经典”。果不其然，这些有新形式、新主旨绘画作品，是逍遥派创始人袁竹的佳作！能称为一派新作，当然会有独特的，别人不能复制的表现力！
When I saw the works of painter Yuan Zhu, I immediately had a bright feeling in front of me. Because his landscapes, scene paintings and lotus paintings all draw a new atmosphere and adopt a new form, and the main idea also has unusual uniqueness. It can be said that when you meet Yuan Zhu's paintings, you feel that the world is new and everything in front of you is new. Therefore, we have such a judgment on his painting that "this is a new classic of Danqing innovation". Sure enough, these paintings with new forms and new themes are the best works of Yuan Zhu, the founder of Xiaoyao school! Can be called a new work, of course, there will be a unique expressiveness that others can't copy!
逍遥画的创作灵魂应该是“明心见性”的意识表达。画画的目的不是为了完成一幅画，而是要通过笔墨的铺陈去表达一段情绪，诠释一份哲学观！如果画画仅是为了画画，那么这是匠工，或者叫画奴。无论是匠工还是画奴，是没有文化建树的，也不会有依画逍遥的大自在。反观袁竹的画，会有一个创作的心理因由，或者称为因缘吧。画是“果”，情为“因”，在情感的推动下去创作《大月亮》，当然就会有仰观宇宙之大的逍遥了。或是在情感中渲染《残荷》悲情的东西是没有的，俯察万类之象的逍遥倒成了不住色声香味触法的禅心。
The creative soul of Xiaoyao painting should be the conscious expression of "insight". The purpose of painting is not to complete a painting, but to express an emotion and interpret a philosophy through the presentation of pen and ink! If painting is only for painting, then this is a craftsman, or painting slave. Whether it is a craftsman or a painting slave, there is no cultural achievement, and there will be no great freedom to be free and unfettered according to painting. In contrast to Yuan Zhu's paintings, there will be a psychological cause of creation, or karma. Painting is "fruit" and emotion is "cause". If you create the big moon under the promotion of emotion, of course, you will have the pleasure of looking up at the universe. Or there is nothing to exaggerate the sadness of the remnant lotus in emotion. The carefree observation of all kinds of images has become a Zen heart that can't resist the touch of color, sound, fragrance and Dharma.
逍遥画要的是技法，依的是修养！从技法上来看，袁竹的画有对传统笔墨技法的全息传承，骨法用笔、应物象形。气韵生动、随类赋彩。还有经营位置的精彩，也有传移摹写的精研。六法执掌，炉火纯青。在传承传统技法的同时，他又进行了皴法的创新，独创豹纹斑与牛毛纹的山水新皴法，画出了山水的奇异而成奇观！引起了画法学术的关注，让他在画坛赢得了很充足的影响力。当然，这种影响力已经随着他的艺术修养，转化成了可以惊艳全世界的市场新动力！
Carefree painting requires techniques and cultivation! From the technical point of view, Yuan Zhu's paintings have a holographic inheritance of traditional pen and ink techniques, and bone techniques use pens and objects. Vivid and colorful. There is also the wonderful business position, as well as the fine research of transfer and copying. The six dharmas are in charge and are proficient. While inheriting the traditional techniques, he also innovated the texturing method, and created a new texturing method for mountains and rivers with leopard pattern and ox hair pattern, which painted the wonders of mountains and rivers! It has attracted the attention of painting academy and won him sufficient influence in the painting world. Of course, this influence has been transformed into a new market power that can amaze the world with his artistic cultivation!
目前他的绘画作品在艺术品市场上都有高段位的价值体现，很多大的专业艺术机构，都收藏他的作品，以便为绘画艺术的新发展、新成就结下重要的金环。当然，他也带着文化弘扬的信念，让他的作品在大江南北、在世界各地推介中国传统文化的魅力，让绘画作品承载东方审美的软实力。从一名画家，到一位文化活动家，袁竹不断拓展着逍遥画派的影响力，同时也为笔墨当承时代的责任做出了先锋表达以及鼎级建树！
At present, his paintings are highly valued in the art market. Many large professional art institutions collect his works in order to lay an important golden ring for the new development and achievements of painting art. Of course, with the belief of cultural promotion, he made his works promote the charm of Chinese traditional culture in the north and south of the river and all over the world, and made his paintings carry the soft power of oriental aesthetics. From a painter to a cultural activist, Yuan Zhu constantly expanded the influence of Xiaoyao painting school. At the same time, he also made pioneer expression and Ding level achievements for pen and ink to bear the responsibility of the times!
2021年8月28日
August 28, 2021
笔酣墨畅，循于心境
Pen sound, ink smooth, follow in the state of mind
——记著名画家袁竹
著名书画艺术评论家史国澳
——On the famous painter Yuan Zhu
Famous calligraphy and painting art critic Shi Guoao
欣赏袁竹先生的众幅丹青作品，可以发现他的画作总是处于一种非常平静的状态。平和的笔墨舒展，绘制出了致雅的山河形态，恣意的心境挥洒，构建出了淋漓的自然美境，而这种创作境界的形成，是源自于先生常年来对山川万物的深度理解，更是源自于他对笔墨功夫的极致磨炼！扎根古韵，升华己风，在面对自然和艺术时，他没有选择俗气的照搬方式，而是以超高的审美学识，外加深厚的笔墨造诣，让自然和艺术进行了完美的交融！所以，先生所展现出的艺术情怀，更多的是一种对心灵本源的发掘探索，而这种深度的探索，也无疑是对他的丹青作品起到了很深的创作意义……
By appreciating Mr. Yuan Zhu's many paintings, we can find that his paintings are always in a very calm state. The gentle pen and ink stretch has drawn elegant mountain and river forms, and the unrestrained state of mind has constructed a dripping natural beauty. The formation of this creative realm stems from Mr. Zhang's in-depth understanding of all things in mountains and rivers over the years, and also from his extreme exercise of pen and ink Kung Fu! Take root in the ancient rhyme and sublimate his own style. In the face of nature and art, he did not choose the tacky copying method, but made a perfect blend of nature and art with ultra-high aesthetic knowledge and profound pen and ink attainments! Therefore, the artistic feelings displayed by Mr. is more an exploration of the origin of the soul, and this in-depth exploration undoubtedly has a deep creative significance for his Danqing works
观赏者可以在袁竹先生的作品中感受到传统墨法的无限魅力，亦可以品鉴到他在山水面貌上所做出的风格转变！他以鲜明的山水特质、浓郁的时代韵味、新颖的构绘精神，创作出了一幅幅令人可赞可叹的新时代山水！其作品在当今画坛中，更是能掀起一股艺术的浪潮，新奇山水，耳目一新！
Viewers can feel the infinite charm of traditional ink in Mr. Yuan Zhu's works, and can also appreciate his style changes in the landscape! With his distinctive landscape characteristics, strong flavor of the times and novel painting spirit, he created amazing landscapes of the new era! In today's painting world, his works can set off a wave of art, novel landscape and refreshing! 画中的笔墨技法，以浓厚润和为主，外加先生所创独的“豹纹斑”、“牛毛纹”等皴法，令整个的山水画展现出了可喜的绝妙视感，而在一些外廓边缘的处理上，先生则是用淡墨去营构，边缘轮廓与实体对比明显，无论是明暗的变化还是深浅的转换，都极具空间张力，通幅画面也由此达到一种淡雅悠韵的艺术效果。以此来看整幅的山体意象，真可谓是有浓厚而不显拖沓，具清逸而不显轻浮，实是将山水的朴实之处完美的呈现了出来！
The brush and ink techniques in the painting are mainly thick and moist, plus the texturing methods such as "leopard pattern spot" and "ox hair pattern" created by Mr. Zhang, which makes the whole landscape painting show a gratifying and wonderful visual sense. In the treatment of some outline edges, Mr. Zhang uses light ink to construct, and the edge contour is in obvious contrast with the entity, whether it is the change of light and shade or the conversion of depth, Both have great spatial tension, and the whole picture thus achieves an elegant and leisurely artistic effect. From this point of view, the whole mountain image is really strong without procrastination, elegant without frivolity, which perfectly presents the simplicity of the landscape!
在一些作品的构型上，先生则是剥离了传统的山水法制，转而以一种象意的形式来构建山水，那如似幻想的意象造型，正与真实的自然山水相吻合，只需进行一些巧妙的个人转换，即能让自然风景变成心中风景，似象非象，似意非意，氤氲积淀，云飞水动，真乃源于自然，而又回归于自然，源于心境，而又回归于心境！所以在初观之时，多数人可能都会看不懂，但是久观之后，却又能令人深陷其中！另外在山水的细节方面上，其树木溪流的经营位置也是非常独到，时作渡舟蓑衣人，时作青山白石路，山水意趣可谓饱满十足，灵韵不凡！
In terms of the configuration of some works, Mr. Zhang has stripped away the traditional landscape legal system and instead constructed the landscape in a form of image meaning. The image modeling like fantasy is consistent with the real natural landscape. Only some ingenious personal transformation can turn the natural landscape into a landscape in the heart, like image but not image, like meaning but not meaning, dense accumulation, clouds flying and water moving, Truth comes from nature, and returns to nature, from the state of mind, and returns to the state of mind! So at the beginning, most people may not understand it, but after a long time, it can make people deeply trapped! In addition, in terms of the details of the landscape, the business location of the trees and streams is also very unique. Sometimes they are people crossing boats and coir raincoats, and sometimes they are Qingshan Baishi road. The landscape is full of interest and extraordinary charm!
笔酣墨畅，循于心境。只有了解了袁竹先生的艺术理念和作品，人们才会发现他是一位真正的山水革新者！画中那清灵的山水气象，那动人的优润格局，无一不是在证明着先生的笔墨深功！而他那一幅幅无与伦比的绝美风景，更是在当今画坛中留下了极具标志性的艺术篇章！
Pen sound ink smooth, follow in the state of mind. Only by understanding Mr. Yuan Zhu's artistic ideas and works will people find that he is a real landscape innovator! The clear landscape atmosphere and the moving yourun pattern in the painting are all proof of Mr. Zhang's deep skill in writing and ink! And his unparalleled beautiful scenery has left a very symbolic art chapter in today's painting world!
2021年8月22日 于览艺斋
On August 22, 2021, in lanyizhai
