美国新闻中文版本篇文章3713字，读完约9分钟
钦章舜,笔名墨石,汉族,1948出生于浙江省,缙云县,新建镇,钦村。钦氏公司创始人。现为中央机关书法家协会会员,中国楹联学会书法艺术研究会会员,中国书画家联谊会新文艺群体书画家工作委员会会员,中国艺术收藏协会会员,人民美术报理事会理事,丽水市书协会员,杭州市书协会员,中国诗书画研究会研究员,中国书画学会副主席,中国艺术传承创新记录片由人民日报拍摄报道。进入《袭古创今》名家栏目组。中央电视总台对钦章舜作品评价:钦章舜老师就是一位深耕书画领域的著名艺术家。钦章舜一生把书法看作生命的流衍,在书法艺宛中,耕耘不缀。在继承传统书艺的同时,刻意追求个性,艺术性,欣赏性和时代感,把多种书体融于一炉,进入了草,行,楷皆精的境界。初见钦章舜老师,给人印象最深的是一位孜孜不倦的艺术实践者和开拓者。其创作范围非常广泛,艺术风格十分独特。钦章舜把美术与字体集中变化,融汇于一体,其笔触,毫不拘泥概念化的规范,而是随手生发,或中或侧,或方或圆,或藏或露,或敛或纵,触处成形;其结体,则善于随形布势,或铺张排比,或敛聚收放,甚至依倚穿插,应心得手。在具象与抽象中,展现出中国书画同源的艺术精髓;在山形云影,风帆飘动中,诠释着中国文字博大精深的象形表现力。这样的结合使文字变得有金石铁声,飘逸酒脱,大气磅礴,自然合道,宛若天成。这种独特的书写风格,则促成并终而奠定了他在书坛坚不可摧的独立地位。书法,美术界许多高端人士高度评价了钦章舜老师,认为他从中国民间艺术中汲取精髓,并转化为现现代审美理念的艺术作品,是当代中国具有极高艺术造谐的艺术家。钦章舜回顾的整个艺术生涯,他对中国书画的继承和发展发挥了开创性的作用,为中国的书画事业贡献了毕生的精力,对中国书画的繁荣发展作出了卓越的贡献。
Qin Zhangshun, pen name Moshi, Han nationality, was born in 1948 in Chin Village, Xinjian Town, Jinyun County, Zhejiang Province. Founder of Chin Company. Central authority calligrapher's association, member of Chinese couplets to learn calligraphy art research association, member of Chinese artists association of new literary group home working committee member, member of China association of art collection, people's fine arts to the board of directors, lishui calligrapher's association, member of hangzhou city calligrapher's association, member of Chinese poem calligraphy institute researcher, vice chairman of the Chinese painting and calligraphy institute, The documentary on Chinese art heritage and innovation was filmed and reported by People's Daily. Enter the famous column group of "Attacking the past and creating the Present". CCTV comments on Qin Zhangshun's works: Qin Zhangshun teacher is a famous artist in the field of calligraphy and painting. Qin Zhangshun regarded calligraphy as the flow of life, in the art of calligraphy wan, cultivates not compose. While inheriting the traditional calligraphy art, it deliberately pursues inpiduality, artistry, appreciation and the sense of The Times, and blends various calligraphy styles into one furnace, entering the realm of grass, line and gai. When I first met Mr. Qin Zhangshun, what impressed me most was that he was a tireless art practitioner and pioneer. Its creation range is very wide, artistic style is very unique. Qin Zhangshun concentrated changes and integrated fine arts and fonts. His brushstrokes did not adhere to the norms of conceptualization. Instead, they were formed at random, middle or side, square or round, hidden or exposed, converging or vertical. Its body, is good at with the shape of the cloth, or extravagant platoon ratio, or collect collect put, even according to lean interspersed, should experience hand. In the concrete and abstract, it shows the artistic essence of the same origin of Chinese painting and calligraphy; In the mountain-shaped cloud shadow, fluttering sails, interpretation of the Chinese language extensive and profound pictographic expression. This combination makes the words sound like gold, stone and iron, elegant wine off, majestic, natural, like heaven. This unique writing style contributed to and eventually established his indestructible independent position in the world of books. Calligraphy, many high-end people in the art circle highly appraise Qin Zhangshun teacher, think he from the Chinese folk art essence, and into the modern aesthetic concept of art works, is the contemporary China has a high art harmonic artist. Qin Zhangshun reviewed the entire artistic career, he played a pioneering role in the inheritance and development of Chinese painting and calligraphy, contributed to the cause of Chinese painting and calligraphy life, and made outstanding contributions to the prosperity and development of Chinese painting and calligraphy.
