美国新闻中文版本篇文章7609字，读完约19分钟
Danqing dyes the world-Mo Tao
墨涛
字 源石,号本海。师承于 国画大师杨彦先生、卢禹舜先生、书法大家张锡良先生、皈依妙湛大和尚。
多年在北京、上海、杭州、湖南、厦门、江西进行书画教学与禅宗艺术探索,主要从事:佛象系列、意识流油画系列、佛手诠释系列、抽象水墨系列、名山胜景泼彩山水作品等艺术创作。喜游名山大川,静听天籁之音。平时淡泊名利。以书画结缘,缘中法圆。在北京、上海、厦门、广州、江西、武汉等地成功举多次个展和联展,同时艺术作品多次参加北京、上海、广州、佛山等地艺术博览会。艺术作品被专业机构及个人收藏。
现为:
中国国家画院卢禹舜工作室画家
青原行思禅院艺术顾问
杨岐禅宗文化书画院院长
宜春禅都画院院长
Mo Tao
Word source stone, number Benhai. He studied under the masters of Chinese painting, Mr. Yang Yan and Mr. Lu Yushun, and Mr. Zhang Xiliang, a master calligrapher, and converted to Miaozhan Monk.
He has been teaching painting and calligraphy and exploring Zen art in Beijing, Shanghai, Hangzhou, Hunan, Xiamen and Jiangxi for many years, mainly engaged in artistic creation such as Buddha statue series, stream of consciousness oil painting series, bergamot interpretation series, abstract ink painting series, famous mountains and scenic spots and colorful landscape works. I like to visit famous mountains and rivers and listen to the sounds of nature. Usually indifferent to fame and fortune. Become attached to painting and calligraphy, and become attached to the French circle. He has successfully held many solo exhibitions and joint exhibitions in Beijing, Shanghai, Xiamen, Guangzhou, Jiangxi, Wuhan and other places, and his works of art have participated in many art fairs in Beijing, Shanghai, Guangzhou and Foshan. Works of art are collected by professional institutions and inpiduals.
It is now:
Painter, Lu Yushun Studio, National Painting Academy of China
Art Consultant of Qingyuan Xingsi Monastery
Yang Qi Dean of Zen Culture Painting and Calligraphy Institute
Dean of Yichun Chandu Painting Academy
翰墨涛声远,云山梦悠闲
——墨涛艺术小记
李诗斌
青城连天翠,峨眉峰高远,岷江翻雪浪,草堂花木闲。物华天宝,人杰地灵,蜀中自古多出文人墨客。远有司马相如、杨雄、苏门三杰,文章名动宇内;近有张大千、于右任、谢无量,翰墨驰骋天下。
墨涛仁者,生于此地。少好文艺,聪明早慧,每览春花秋月,情动于中,诗吟于外,泼墨挥洒,云烟四起,多蒙乡贤称焉。及长,随家出川,飘蓬万里,浪迹鹭门,徘徊海边,翘首帆外,天风阵阵,海浪涛涛,得山川之助,汲群书之源,博览多学,由国画书法,旁涉油画诗歌,海纳百川,有容乃大,艺事渐进。然每感学业虽博而未精,画道杂染而无师,便负笈京华,拜画坛名宿杨彦为师,专精山水,潜心翰墨,由师指引,渐得门径。于石涛、黄宾虹、傅抱石、陆俨少最为情洽,用功尤深。山川皴擦而淡远,枯木勾勒而幽闲,画艺大进。又知书画取象本为同源,篆籀飞白笔墨之本,乃从师书法名家张锡良先生,专攻草书。始学怀素、张旭,纵横不羁;又学祝枝山、黄庭坚,摇曳多姿;近取王右军《十七帖》,弃除狂野,渐入温润平正一路,书法大变。书画之外,仁者又极关注当代艺术,以佛手为题材,孜孜不倦创作二十余年。其意表达:手为人类创作之源,化现万物,犹如佛法无边,创作无量。
孔子曰:“绘事后素。”大凡绘事,皆有心性而发,心性纯白,画艺必精,人品不高,笔墨无法。墨涛仁者,学佛学儒,打坐参禅,穷究心性之学,为人谦谦儒雅,性情温厚,与之秉烛夜话,酒一樽、茶一壶,无江湖狂野之气,其乐融融。一段光风霁月,一片白云青山,皆从仁者衣襟之中流出。<周易>谦卦赞曰:“谦谦君子,用涉大川,吉。”
2015年1月11日
The calligraphy waves are far away, and Yunshan dreams are leisurely
-Mo Tao's Art Notes
Li Shibin
Qingcheng is green, Emei Peak is high, Minjiang River turns over snow waves, and thatched cottage flowers and trees are idle. Wuhua Tianbao, outstanding people, and many literati in Shu since ancient times. There are Sima Xiangru, Yang Xiong and Sumen, and the name of the article is Moving Yunei; There are Zhang Daqian, Yu Youren and Xie Wuliang, and calligraphy gallops all over the world.
Mo Tao Ren was born here. Less good literature and art, smart and early wisdom, every time you look at the spring flowers and autumn moon, your feelings move in the middle, your poems sing outside, your ink is splashed, and your clouds are everywhere. And long, with the family out of Sichuan, drifting thousands of miles, wandering the heron gate, wandering the seaside, looking forward to the sail, the wind blows, the waves are surging, with the help of mountains and rivers, the source of books, Expo and learning, from traditional Chinese painting calligraphy, oil painting poetry, all rivers run into sea, tolerance is great, and art is gradual. However, every feeling that although his studies are rich but not refined, and his paintings are mixed and dyed without a teacher, he goes to Jinghua, worships Yang Yan, a famous painter, as a teacher, specializes in landscapes, devotes himself to calligraphy, and is guided by a teacher, gradually gaining a gateway. Yu Shitao, Huang Binhong, Fu Baoshi and Lu Yanshao are the most affectionate and study hard. The mountains and rivers are rubbed and far away, the dead trees are outlined and leisurely, and the painting art is greatly improved. It is also known that painting and calligraphy are homologous, and the seal script is the foundation of flying white pen and ink. It is a famous calligrapher, Mr. Zhang Xiliang, who specializes in cursive script. I began to learn Huai Su and Zhang Xu, and I was unruly; Learn from Zhu Zhishan and Huang Tingjian, swaying; Recently, I took Wang Youjun's Seventeen Posts, abandoned the wildness, and gradually entered the warm and smooth road, which made great changes in calligraphy. Besides painting and calligraphy, benevolent people pay great attention to contemporary art, taking bergamot as the theme and working tirelessly for more than 20 years. Its meaning expression: Hand is the source of human creation, and all things are realized, just like Buddhism is boundless and creation is boundless.
Confucius said, "Painting is an afterthought." Most painting things, all have the mind, the mind is pure white, the painting art must be fine, the character is not high, and the pen and ink cannot be used. Mo Tao's benevolent people learn Buddhism and Confucianism, meditate and meditate, and study the study of mind and nature. They are modest and elegant, and have a warm temperament. They talk with them at night, with a bottle of wine and a pot of tea. They are happy without the wild spirit of rivers and lakes. A period of light and wind, a piece of white clouds and green hills, all flow out of the skirt of the benevolent. < Zhouyi > Qian Gua praised: "A modest gentleman, involving Dachuan and Kyrgyzstan."
11 January 2015
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作品尺寸:46/58cm
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Size: 46/58 cm
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创作尺寸:28/58cm
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Title: Xiangrui Yunxia
Creative size: 28/58 cm
Creation time: Ren Yin was in Zen Capital on April 8 th
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创作时间:庚子冬
作品尺寸:50/50cm
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Creation time: Gengzidong
Size: 50/50 cm
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作品尺寸:100/198cm
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Creation time: Yi Hai Xia
Size: 100/198 cm
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创作时间:戊戌秋
作品尺寸:50/150cm
Title: Bright Moon and Breeze
Creation time: Autumn of 1898
Size: 50/150 cm
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作品尺寸:68/158cm
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Creation time: Yi Hai Xia
Size: 68/158 cm
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创作时间:乙亥夏
作品尺寸:85/180cm
Title: There is no coolness
Creation time: Yi Hai Xia
Size: 85/180 cm
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创作时间:壬寅二月十一于京華
作品尺寸:46/68cm
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Size: 46/68 cm
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作品尺寸:38/38cm
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Creation time: Geng Zichun
Size: 38/38 cm
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创作时间:辛丑春
作品尺寸:45/58cm
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Creation time: Xin Chouchun
Size: 45/58 cm
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创作时间:辛丑三月于源石山房
作品尺寸:52/78cm
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Size: 52/78 cm
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创作时间:壬寅二月于源石山房
作品尺寸:50/50cm
Title: Xiang Yun
Creation time: Renyin Yuyuan Shishan House in February
Size: 50/50 cm
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