美国新闻中文版本篇文章6664字，读完约17分钟
个人简介：
黄少武,师从我省著名版画家陈正元先生。2015年11月参加了书画频道第四十四期，为期十天的郭石夫大写意花鸟研修班学习。2017年参加清华大学美术学院郭石夫大写意花鸟画高研修班为期一年学习，现为江西省美术家协会会员、宜春市美术家协会理事、樟树市美术家协会副主席、樟树市中国画研究会会长、国家一级美术师。
Huang Shaowu studied under Mr. Chen Zhengyuan, a famous printmaker in our province. In November 2015, I participated in the forty-fourth issue of the Calligraphy and Painting Channel, a 10-day study of Guo Shifu's freehand flower and bird training class. In 2017, he participated in the Guo Shifu Freehand Flower and Bird Painting High-level Seminar of the Academy of Fine Arts of Tsinghua University for one year. He is currently a member of the Jiangxi Artists Association, a director of the Yichun Artists Association, the vice chairman of the Zhangshu Artists Association, and the Zhangshu Chinese Painting Research Association. Long, national first-class artist.
Personal profile:
1986年2月《红梅》参加江西省髙校大学生书画作品展获三等奖。
2002年5月《双栖日出图》参加江西省公务员作品展。
2002年8月《晨雪纷纷》参加江西省首届体育美展。
2003年3月《暗香浮动月黄昏》参加江西省青年美。
2004年7月《远望》参加第十二届江西省美术作品。
2005年5月《江南春意》参加＂萍钢杯＂江西省企业职工第五届美术、书法、摄影大赛，荣获三等奖。
2006年5月《狗年旺》参加江西省第四届青年美术作品展。
2011年11月《东升》参加重庆市全国画乡作品联展，荣获二等。
2016年2月《早春二月》、《春风》参加由樟树市委宣传部、樟树市文联、樟树市中国画研究会共同举办的第二届迎春中国画展。
2016年5月《喜上眉梢》参加了中国美术名家联合会熙社画会画友展。
2016年9月《梅竹同春》参加《一代精神属花草》第二届郭石夫画友会会员作品展。
2016年9月《寻春》参加韩中国际堤川交流展。
2016年12月《不晨严寒斗霜雪》参加"福田杯"第23届全国冬泳锦标赛中,茯绘画类优秀作品奖。
2016年12月《清萍》参加第四届江西省中国画人物花鸟画展览。
2017年10月20日“造化心源” 第三届郭石夫画友会会员作品展。
2018年10月18日《冰雪精神》参加在四川都江堰浣墨生香第四届郭石夫花鸟画展。
2018年10月《袭古创今》人民日报全媒体平台，播放黄少武：奇正结合 开合有度十五分钟影视节目。
2018年12月第十二期《艺术中国》期刊刊登黄少武作品十幅。
2019年9月1日《岁寒三友图》参加在内蒙古通辽恭笔写意第五届郭石夫花鸟画展。
2020年11月7日《岚气春晖》、《百年竹叶醉高风》参加在广州举办的“相泽-会韵--南北名家学术交流展”。
2020年12月第十二期《艺术中国》期刊刊登黄少武文章《写意花鸟画之浅见》和作品五幅。
2021年1月《百年竹叶醉高风》参加在网上举办的“含道映物”第六届郭石夫画友会作品网络展
《新时代新经典》2021第二届当代艺术名家邀请展。
In February 1986, "Red Plum" won the third prize in the painting and calligraphy exhibition of college students in Jiangxi Province.
In May 2002, "Amphibious Sunrise Picture" participated in the exhibition of works of civil servants in Jiangxi Province.
In August 2002, "Morning Snow" participated in the first sports art exhibition in Jiangxi Province.
In March 2003, "Dark Fragrant Floating Moon Twilight" participated in the Youth Beauty of Jiangxi Province.
In July 2004, "Yuanwang" participated in the 12th Jiangxi Province Art Works.
In May 2005, "Spring in the South of the Yangtze River" participated in the "Ping Steel Cup" in the Fifth Art, Calligraphy, and Photography Competition for Enterprise Employees in Jiangxi Province, and won the third prize.
In May 2006, "The Year of the Dog" participated in the Fourth Youth Art Exhibition of Jiangxi Province.
In November 2011, "Dongsheng" participated in the Chongqing National Painting Village Joint Exhibition and won the second prize.
In February 2016, "Early Spring in February" and "Spring Breeze" participated in the second Spring Festival Chinese Painting Exhibition co-organized by the Zhangshu City Party Committee Propaganda Department, Zhangshu City Federation of Literary Arts, and Zhangshu City Chinese Painting Research Association.
In May 2016, "Happy Eyebrows" participated in the Painting Friends Exhibition of the Xishe Painting Association of the Chinese Artists Association.
In September 2016, "Plums and Bamboos Are in Spring" participated in the 2nd Guo Shifu Painting Friends Association Member Works Exhibition of "A Generation of Spirits Belonging to Flowers and Grass".
In September 2016, "Xunchun" participated in the Korea-China International Jecheon Exchange Exhibition.
In December 2016, "Fighting with Frost and Snow in Early Morning" participated in the 23rd National Winter Swimming Championships of "Futian Cup" and won the award for outstanding works of Fu painting category.
In December 2016, "Qing Ping" participated in the 4th Jiangxi Province Chinese Painting Figure Flower and Bird Painting Exhibition.
On October 20, 2017, "The Source of Good Fortune" The 3rd Guo Shifu Painting Friends Association Member Works Exhibition.
On October 18, 2018, "Spirit of Ice and Snow" participated in the 4th Guo Shifu Flower and Bird Painting Exhibition in Huanmo Shengxiang, Dujiangyan, Sichuan.
In October 2018, the omni-media platform of the People’s Daily of "Strike the Past and Create the Today" broadcasted Huang Shaowu: Qizheng Combination, a 15-minute film and television program.
In December 2018, the twelfth issue of "Art China" published ten works of Huang Shaowu.
On September 1, 2019, "Three Friends in the Cold Years" participated in the Fifth Guo Shifu Flower and Bird Painting Exhibition of Gongbi Freehand Brushwork in Tongliao, Inner Mongolia.
On November 7, 2020, "Land Qi Chunhui" and "A Hundred Years of Bamboo Leaves Drunk High Wind" participated in the "Azawa-Huiyun-Academic Exchange Exhibition of Famous South and North Masters" held in Guangzhou.
In the twelfth issue of "Art China" in December 2020, Huang Shaowu's article "A Simple View on Freehand Flower and Bird Painting" and five works were published.
In January 2021, "A Hundred Years of Bamboo Leaves Drunk with High Wind" participated in the 6th Guo Shifu Painting Friends Network Exhibition held on the Internet
"New Era, New Classics" 2021 2nd Contemporary Art Masters Invitational Exhibition.
作品赏析：
继承求变 而后重生
黄少武是我近年来认识的，他为人敦厚朴实；勤奋而又不缺灵性。闻其自学绘画有40多年，想必年青时走了些许弯路。艺术本身就是一个在不断地自我否定，失败中总结经验，摸索着前行的过程。或许正是这些不断的摸索，才让黄少武领悟到艺术的真谛。
创新要在继承中创新，继承要在创新中继承。历代国画大家尚且如此，当代艺术家要有所突破创新的话，更要深耕于传统，在继承的基础上创新，否则只能是无本之木，无源之水，不能行之久远。
黄少武并非艺术世家，但自幼爱好绘画，让他走上了中国画的艺术道路。其基础是从《芥子园画谱》开始，心追手摹，尤其是《芥子园画谱》里的梅花绘画方式、穿插组合、布局变化、用笔用墨等技法让其铭记心间。其“梅花”的画法吸收了宋代杨无咎、现代关山月、于希宁、董寿平、付梅影等画梅名家的笔墨情愫，对于传统绘画的一招一式信手拈来、游刃有余，加勤学苦练，磨砺成就了其艺术。
纵观其作品中的“梅、兰、竹、菊”皆能见到笔下有态。其书法从怀仁的《王羲之聖教序》入手，再到黄庭坚的《书谱》，笔墨线条在画面中酣畅淋漓，把书法的侧锋、顺锋、逆锋、散锋，笔峰使转的速度急徐、快慢、涩畅，以及行笔中的点戳、提按、顿挫等笔法变化表现运用在画面中，让画面浓淡干湿，疏密相间，富有变化。其创作的作品中体现出静、素雅的画面为多，较少浓烈鲜艳的单色，而是多用复色的颜色来点缀画面，他善于把握画面“干、湿、浓、淡、枯”，“墨、水、色”的协调关系，显得恰到好处，色墨相间，互生奇妙，充满祥和之气。墨彩方面，他更喜于淡墨与浓墨交融配以书法笔意成画，而凸显画面的金石味，而又整体显得高雅别致。
黄少武的绘画作品，绝不造作，带有纯厚率真无华之美，观其“梅、兰、竹、菊”，可知他心静目明且深晓画理。虽不能说他在中国画“诗、书、画、印”的精髓上有太深的造诣，但也有所涉猎，为他绘画奠定了较好的文化基础，也是其对于中国画艺术上的一种文化追求和认同。中国画艺术的继承和创新始终贯穿其思想脉络，在绘画中就有所表现。其所画“竹”就从吴镇、夏昶的笔法中寅变而来，不仅存有宋代刘李吴夏的人格风骨的影子，也有明清青籐八大的灵魂心性闪烁，还有当代大家郭石夫所画之笔情墨韵。
黄少武也深刻懂得花鸟画的精髓。观其所画雪中梅竹《石鲁诗意》，《冰雪精神》，刹那间让人体会到文人们所追求梅竹情结的精神内含；而在观其《春意满湘沅》作品时，则是继承与创新的结合表现，是画家情感含蓄的表露，是色、墨共同表现竹之精神的共同载体，是写意笔墨与线条结合的情愫表达。
借古出新，是灵性与时代精神碰撞出火花的爆发。作为画家，需要思考绘画的历史，观察社会中对于继承和创新问题的思考。中国历史上的先贤，尚简、尚朴、尚廉、尚静，尚仁、尚勇、尚慈、尚诚，形成了源远流长的族群共识。而画坛的先贤，把这些在历史长河经长期积淀而成的共识，运育为绘学理念和技法、变幻于笔墨挥洒中。黄少武作为画家已在个人作品中有所表现，并初露端倪！
荆浩讲用笔有四势：筋、肉、骨、气；画有六要：一气，二韵，三思，四景，五笔，六墨。观黄少武的画作，心随笔运，神完意足、气象雍和，深得荆浩四势六要之妙，更有超越物实之妙想、令人神往，强其筋骸、滋养人心，唤醒人文，不可小觑。
总之，青籐开创了中国画写意的思路和表现手法；八大则开启了情感表达在写意画上的精神展露，能立于天地之境，自有人格精神，是灵性所得的升华；现当代的吴昌硕、潘天寿、齐白石、李苦婵、郭石夫、吴悦石、来楚生、于希宁、张立晨、孙默龙、贾宝眠等大家的中国花鸟画成就，更是黄少武所敬慕和孜孜学习观摩的对象。
纵观黄少武其人与作品，都能找到中国绘画历史的传承脉络，更能寻找到其继承和追新的基因，只有在艺术的道路上持之以恒。才能将中国画的基因继承下去，愿其早日绽放耀眼光芒、大放异彩，我们大家共同期待着。
辛丑立冬于广州
万国华
