【个人简介】
路豫坤,毕业于广播电视大学。本人自幼拜师学习中国传统书画艺术,现为中华人民共和国国宾礼艺术家,国家高级美术师,中国楹联学会书研会理事,书画等级培训师,中国建研会艺专委客座教授,《民族艺术专刋》编委,孔子美术馆客座教授。
Lu Yukun, graduated from Radio and Television University. I have studied traditional Chinese painting and calligraphy since childhood. Now I am a state guest ceremony artist of the People's Republic of China, a national senior artist, a director of the Book research Association of China Couplet Association, a trainer of calligraphy and painting level, a visiting professor of art committee of China Construction and Research Association, the editorial committee of National Art Special Committee, and a visiting professor of Confucius Art Museum.
路豫坤国画作品(迎春)2016年获迪拜国家艺术中心珍藏奖。2017年国画作品(艳秋)获得中国诗书画年会一等奖,2021年获得中国世纪大采风年度盛典(当代最具实力派书画家)荣誉称号。
Lu Yukun's Chinese painting (Welcome Spring) won the Treasure Prize of Dubai National Art Center in 2016. In 2017, Chinese painting works (Yan Qiu) won the first prize of the Annual Meeting of Chinese poetry and calligraphy, and in 2021, won the honorary title of the Annual ceremony of Chinese century collection (the most powerful contemporary calligraphers and painters).
【作品鉴赏Art appreciation】
【名家点评Famous review】
云霞叠翠岭南风 师古不泥韵时代——记著名画家路豫坤
Yunxia diacui Ridge south wind teacher ancient mud rhyme times -- a record of the famous painter Lu Yukun
不得不承认这样一个事实,中国画的东方气韵审美品质在当代画坛的身份,存在迷失的尴尬。许多山水画家因为缺少对中国画意象的精心酝酿,笔墨塑造山水失去了心源注入的情商,让山水画过多介入了油画风景的透视、光影等等写实手法,所以山水画近乎变成了复现自然的呆板,很难从笔墨的气韵中体味到独与天地精神相往来的意象内涵。
Have to admit the fact that the Oriental aesthetic quality of Chinese painting in contemporary painting identity, there is a lost embarrassment. Many landscape painter because of lack of elaborate the image of Chinese painting, pen and ink shape the landscape lost heart source into emotional intelligence, let the landscape painting too much intervention perspective, of light and shadow and so on realism oil painting landscape, natural landscape painting almost become a reiteration of inflexible, it is difficult to from the appreciate artistically ink to the image content related to the spirit of heaven and earth.
但是,在中国画一路落坡的状态里,当代著名画家路豫坤先生,则凭借对传统笔墨品质的执着传承,通过对外师造化,中得心源的磨砺,把中国画处于下坡的创作情景给予根本性的扭转,让中国画重新归位于东方审美的气韵境界,也让一心渴赏正宗中国画的观众,通过他的笔墨酝酿,重新获得了目观清翠,心念清爽的山水意象。正宗山水的笔墨品位,在路豫坤的艺术创作里,成为文化龙脉的一股清流,正本清源,大有建树!
But, in all the way down slope state of Chinese painting, the famous contemporary painter road and Mr He, for the constant inheriting traditional pen and ink quality, by nature, in the heart and hone the source of the traditional Chinese painting in the creation of the downhill scene give fundamental reverse, to redraw the east Chinese painting aesthetic artistically realm, also let the audience to enjoy authentic Chinese paintings with thirst, Through the brewing of his brush and ink, he regained the landscape image with clear and green eyes and fresh mind. Authentic brush and ink taste of landscape, in Lu Yukun's artistic creation, has become a clear stream of cultural dragon vein, the original clear source, great achievements!
山水创作,一讲究天才,二讲究兴趣,三讲究传承,还需要创新。观赏他的山水作品,四项全能。笔墨如神绘,韵通天才功,如果没有心本性灵的智慧,要把山水画得如此叠翠清爽是绝不可能的。俗笔画山水,是不太敢用大淀黄青的,因为这种接近于饱合的色度,非常容易滑入艳俗的设然状态里,让山水的清雅品质淹没在艳俗之中,毫无建树。
Landscape creation requires genius, interest, inheritance and innovation. See his landscape works, the quadruathlon. The brush and ink are like god painting, and it is impossible to paint the landscape so green and fresh without the wisdom of the soul. Common brush painting landscape, is not dare to use dadian Huangqing, because this close to full chroma, very easy to slip into the gaudy set state, let the elegant quality of landscape drowned in gaudy, no achievements.
路豫坤先生画山水,则是心怀高远,手执雄才,极致悦目的兰色与青绿饱合,在他的修为调节下,不会显观出一点一毫的艳俗火气,完全经由墨与彩的对冲调和,在悦目的铺陈之中,走向流丽高雅的峰巅。不妨检阅一下当代画坛,除了路豫坤,再也找不到另一位山水家能驾驭饱合色,让山水功入清雅质。
Lu Yukun's landscape painting is a combination of blue and green with lofty heart and talented hands. Under his adjustment, there will not be any vulgar anger. Through the hedge and harmony of ink and color, he moves towards the peak of elegance in the pleasing presentation. Might as well review the contemporary painting, in addition to Lu Yukun, can not find another landscape can control full color, let landscape into elegant quality.
再向前检索,也没有这样的雄才大彩画家,纵然是唐代人崇尚浓墨重彩,但也无法与路豫坤笔墨随迁时代的创造相提并论,因为唐代山水的浓墨重彩是罩染的技法,而路豫坤的大彩山水则是皴笔加点染的精妙。观赏唐代山水的浓墨重彩,是“大色块”的分割,而观赏路豫坤的山水,则是气韵精通于行脉的细致流动,山水不因“色块”而呆板,全因皴笔与点染的机动而成生动。师法造化用大彩,非用这种精致的点染皴法,方可以在宣纸上丰富展示自然的万般气象!他是一位真正进入师法造化,终得心源的大手笔!
Further search, there is no such great color painter, even if the Tang dynasty people advocate thick ink and heavy color, but it can not be compared with lu Yukun's creation of The Times, because the tang dynasty landscape thick ink and heavy color is cover dyeing techniques, and Lu Yukun's big color landscape is the subtle touch of cun pen. Appreciating the thick and heavy color of tang dynasty landscape is the pision of "big color block", while appreciating lu Yukun's landscape is the delicate flow of qi yun proficient in the line veins. Landscape is not inflexible because of "color block", but vivid because of the mobility of cun pen and dot dyeing. Master with big color, not with this delicate point texturing method, can be rich in rice paper to show the natural climate! He is a truly into the teachings of fate, the heart of the source of the grand!
云霞叠翠岭南风,师古不泥韵时代。青绿山水,以大青绿最为难修,如今路豫坤先生站在大青绿山水创作领域的时代巅峰,用修为之品,塑造山水之韵,此为丹青大品。他还善于工笔写意花鸟小品,同样色彩铺陈饱合,观感悦目丰韵,梅兰竹菊书卷气,云上山峦秀磅礴,岭南之风,历历在目。他师古求新,因新致变,又在书画艺术教育方面付力深厚,杏坛渡春秋,桃李满天下,所以当为丹青文化传承与重塑的一派大家!
Yunxia Diacui Ling south wind, pision ancient mud rhyme era. Green landscape is the most difficult to repair, and now Mr. Lu Yukun stands at the peak of the era in the field of big green landscape creation, and uses repair as the product to shape the charm of landscape, which is danqing big product. He is also good at freehand brushwork flower and bird sketches, the same color spread full, pleasing to the eye, rich charm, plum, orchid, bamboo and chrysanthemum bookish, the mountains show majestic clouds, lingnan wind, vividly. He teaches the ancient and seeks the new, because of the new change, and makes profound contributions to the art education of painting and calligraphy. He crosses the apricot altar in the Spring and Autumn period, and has peaches and plums all over the world, so he should be the one who inherits and reshaps the Danqing culture.
著名书画评论家 史峰 2019年4月29日
Famous painting and calligraphy critic Shi Feng April 29, 2019
