个人简介：
赵家松，安徽省巢湖市人。自幼爱好文艺。后在从事法律服务工作之余，潜心研习中国花鸟画，尤喜文人画。艺术人生其学画伊始，以孙其峰的小写意花鸟为蓝本，细心揣摩，潜意精研。后又遍览任伯年、吴昌硕，潘天寿诸大家，采拮其中适合于己的元素，终于有了一点点自己的心得和感悟，并将此诉诸毫墨，写其眼中所见，抒其心中所向往，一意孤行而至于今!学画至今，多次参加省内多种画展，并相继加入安徽省青年美术家协会成为其会员、巢湖市美术家协会并选任理事、南京艺海潮书画院、安徽省书画研究会等专业美术组织。在其向往的美术领域取得了一定的发展和突破。2021年中国艺术家春晚形象大使，;全国两会专刊特辑艺术家;作品在人民日报华语版，欧洲版登载。
Personal profile:
Zhao Jiasong is from Chaohu City, Anhui Province. I like art since childhood. Later, while engaged in legal services, he devoted himself to the study of Chinese flower and bird paintings and You Xiwen paintings. At the beginning of the study of painting in the life of art, I took Sun Qifeng's small freehand flowers and birds as blueprints, carefully figured it out, and subconsciously studied it. Later, I visited Ren Bonian, Wu Changshuo, and Pan Tianshou. They picked up the elements that were suitable for them, and finally got a little bit of my own experience and insights. What he yearns for, he will go his own way! Since learning painting, he has participated in various painting exhibitions in the province many times, and successively joined the Anhui Young Artists Association as its member, Chaohu Artists Association and elected director, Nanjing Yihaichao Calligraphy and Painting Academy , Anhui Provincial Painting and Calligraphy Research Association and other professional art organizations. He has made certain developments and breakthroughs in the field of art he yearns for. The image ambassador of the Chinese Artists Spring Festival Gala in 2021; an artist in the special issue of the National Two Sessions; the works will be published in the Chinese and European editions of the People's Daily.
作品赏析：
赵先生的花鸟作品笔力鼎健，刚柔相济，锋纤往来，八面有势，必由衷感怀:传统画法之渊妙，精彩于笔法的法度，代不绝人!在用墨赋彩上，赵先生写意花鸟也独有匠心，深师传统且心随时代，有随类赋彩气韵生动的好意象。以水为道，以墨为器，知水性而不使与墨争，水分调墨恰到好处，落墨和谐，铺陈苍润。
与清代诸家的水墨焕神气象一脉相传，有吴昌硕设墨的浩莽质感，有八大设墨的劲卓，亦有郑板桥设墨时强烈的对比感。法效前贤，不失自我，浓淡干湿焦，可以皴积八层十层，不会一踏糊涂，仍旧是层次分明，氤氲悦目。也可以破墨。水破墨，墨破水，淡墨破浓墨，对水性、墨性、笔性、纸性皆是了若指掌，洇湮效果如梦如幻。
虚实相生，气韵生动，令人感叹此用墨之法，正是径入画道的玄妙!再轻赋胭脂浅绛，就生成了画风当随时代的时尚感。色不碍墨，墨不碍色，当代文人画写意天成，不画呆板的形式美和气韵美跃然纸上，雅俗共赏，极有当代审美的张力。
不恨今人不识我，只恨古人不见我，若把他的画与八大的画放在一起对照，可见师于古人而不拘泥其间的创新动能非常足。这种当代文人画的文化卓建，恰是妙中增妙，新中更新的典范。
先生作画有不求为佳反为最佳的可贵格局。主营法律服务，丹青为痴迷。所以入得丹青之门，无有刻意制作的念想，画画创作的机缘生于兴趣，成于才华，超脱于画性，是天然悟画道的天质自然。每每执笔作墨无挂碍，写意墨白非妄想，经过写生的视觉经验触动，创作文人画的生动，最有雅风，极见趣味。笔墨生趣，气韵萧逸。画禅风，写道一。画里是技法的娴熟，画外是儒释道的合成。每一件作品都可入得了庙堂，也可悦得了大众，一派文人风吟的自然主义画风。于是，他的文人画尽可以成为助力丹青文化龙脉传承的正能量!
——林智贤(科普作家、一级书画评论家)
