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郑自阳，1965年出生，湖南怀化市麻阳人。中国著名的山
水画家、国家一级画师、中国美术家协会会员、、中国国画研究副院长，武陵画派青绿山水画的代表人物之一，擅长山水、花鸟，兼工书法。中国画画研究员，清华国画艺术研究博士生导师，中国工艺美术家协会名誉主席，中国现代民间绘画研究员，中国画院副主席，中国美术家协会员，湘西武陵画派创始人，获得国家殿堂级名家称号，曾经获北京十佳优秀美术名家荣誉，2020年获国礼艺术名家，同年被中国书画家协会，颁发最具有收藏价值画家金牌，中国美术家协会颁发实力派画家金牌国内外展岀活动与获奖:1992年11月26日中国美术馆展岀，并荣获二等奖。1997年在博物馆举办个展，获一等奖。作品曾先后在日本、韩国、新加坡、美国、法国，迪拜等地举办画展23余次，作品被收藏于中国文化部、中国美术馆、上海美术家协会、国家故宫博物馆、柬甫寨文化中心和巴黎中华文化中心等。不少作品曾获全国美展优秀奖、香港企业金牌奖、台湾金笔奖、日本艺术院奖、世界科教文教育成果奖和艺术成就奖2018年10月18日荣获中国最具收藏价值艺术家责任奖等。
Zheng Ziyang was born in mayang, Huaihua city, Hunan province in 1965. Famous mountains in China
Water painter, national first-class painter, member of Chinese Artists Association, vice president of Chinese painting research, one of the representatives of wuling school green landscape painting, good at landscape, flowers and birds, and calligraphy. Researcher at the Chinese painting, tsinghua university study of traditional Chinese painting art, craft artist association, honorary President of China researcher at the Chinese modern folk painting, vice chairman of the Chinese art academies, member of Chinese artists association, hunan wuling school founder, hall of national level masters title, has won the top ten outstanding Beijing art masters honor, in 2020 won the national gift art masters, In the same year by the Chinese calligraphers and painters Association, awarded the most valuable collection painter gold medal, The Chinese Artists Association awarded the powerful painter gold medal at home and abroad exhibition exhibition and awards: On November 26, 1992, the Chinese Art Museum exhibition exhibition, and won the second prize. In 1997, he held a solo exhibition in the museum and won the first prize. His works have been exhibited for more than 23 times in Japan, Korea, Singapore, The United States, France, Dubai and other places. His works have been collected in the Ministry of Culture of China, China Art Museum, Shanghai Artists Association, the National Palace Museum, Cambodia Village Cultural Center and The Chinese Cultural Center in Paris. Many of his works have won the National Fine Arts Exhibition Excellence Award, Hong Kong Enterprise Gold Award, Taiwan Golden Pen Award, Japan Art Academy Award, World Science, Education, Culture and Education Achievement Award and Art Achievement Award. On October 18, 2018, he was awarded the Responsibility Award of China's Most Collectible Artist.
全国书籍出版及发行《郑自阳画集》、《郑自阳山水集》、《郑自阳写生作品集》《中国艺术大家》《百年名家》《郑自阳作品专集》《人民功勋艺术家》《传世名家》等三十多种。《一代佳作》《中国国画年鉴》。国一级报刊发表:《人民日报》《文汇报》《人民纳税日报》《香港美术报》《党政日报》《民族团结》《文化月刊》《燕京报》等郑自阳是从湖南走向海外的画家，早年师从滕建国、陈白一、易图境，杨国萍等名师，他传承传统，追踪前贤，参透古法，了悟自然，作品色彩明丽、气象高华、意境深远，既有文人画散淡之风、又有宫廷画富贵之气，既有大青绿的着色浓重，又有小青绿的水墨淡彩。郑自阳擅长鸿篇巨构，大制作，大格局、大气势，构图奇伟，开合有理，龙脉蜿蜒，源流有序，整体调子统一，细节变幻和谐，把传统的水墨写意与现代泼墨泼彩的表现性、随机性巧妙地融为一体，通过意匠经营，创造出灵动超脱、静谧悠远的空间境界，使人在似真似幻的艺术意境中，感受到宇宙生命活力之美。郑自阳是柬甫寨画家中杰出的代表，在异域完全不同的文化背景下，能承传中国传统绘画的文脉，融入独特个性语言，借古开今，融会中西，开创新青绿山水画风，不遗余力地推广发扬传统中国画之光大，为中国画在世界画坛占据一席之地作出了应有贡献。
More than 30 books have been published and distributed nationwide, such as Zheng Ziyang's Painting Collection, Zheng Ziyang's Landscape Collection, Zheng Ziyang's Sketching Works Collection, Chinese Art Masters, Famous Artists of one Hundred years, Zheng Ziyang's Works Collection, People's Meritorious Artists and Famous Artists handed down from generation to generation. Masterpieces of a Generation and A Guide to Chinese Painting. The level of newspapers and periodicals published: the People's Daily newspaper wen wei Po "of the people's tax journal Hong Kong art newspaper of the party journal" national unity "yanjing newspaper journal of culture, such as zheng from Yang from hunan overseas painter, early from TengJianGuo, Chen Baiyi, Yi Tujing Yang Guoping masters, such as his inheriting tradition, tracking predecessors and understand wine, understands the nature, Works of bright colors, gaohua, far-reaching artistic conception, both literati painting scattered wind, and court painting rich gas, both big green coloring thick, and small green ink light color. Zheng from Yang is good at literature in huge, big, big pattern, the great momentum, the composition is decoration, opening and closing, winding dragon vein, origin and orderly, the overall tone is unified, harmonious, detail the traditional and modern ink spilt ink painting freehand brushwork in traditional Chinese color of expressive, randomness, ably by jacquard management, create a clever detachment, quiet space realm and long, It makes people feel the beauty of the vitality of the universe in the artistic conception that seems to be true and unreal. Since Yang zheng is a prominent representative of Cambodia village painters in exotic completely different culture background, the can down the context of traditional Chinese painting, into the unique personality language, ancient open today, combining Chinese and western, create a new green landscape painting style, spare no effort to promote the develop of the traditional Chinese painting, for the traditional Chinese painting and painting occupies a place in the world made due contributions.
读观郑自阳的山水你会有一种熟悉又陌生感。因为他是一种新的境界既不是南派山水的豪雄壮伟也不是南方山水的委婉飘逸更不是名山大川的旖旎风光而是略带南方景致特有的显直清旷的湘西武陵山沟的山水湖南湘西武陵是郑自阳的故乡故乡的张家界山水要比江南景观宏阔甚至山势林立高大有山峻河流的清幽秀丽也有长天大野的宽厚幽深多年来郑自阳立足于家乡这片神密与繁茂贫穷与富庶神奇与朴拙共有的土地上 把他的山水画主体锁定在奇、险、秀、山水的表现中试图以此为切入点、线、面，力求以新的形式语言去展示新的审美图景,并以﹃我自有我,自有我在﹄的信念塑造自己的艺术个性。传统中国画的原来形态和发展到今天形态,大致可以归为两类:实写的一类和自由书写的一类。所谓实写，就是画得比较细密，画风严谨，构图饱满选择的是实写型的表现方法，这与他崇尚北宋山水大家范宽、李成的画风有关,也与他内向、沉稳的性格也不无关系。当然更为主要的是，当他面对式陵的逶迤群山、峥嵘山崖、漫漫长坡、密密丛林景观时、这实实在在地描绘对他来说、是出自内心感情的需要、是他精神世界更为自由的表现。
Read zheng Ziyang's landscape you will have a familiar and strange feeling. Because he is a kind of new realm neither southern school landscape of hao wei is not loud and southern landscape of euphemism and elegant more is not the famous mountains and great rivers charming scenes but slightly southern scenery show straight qingkuang xiangxi xiangxi hunan wuling wuling mountainous area landscape is the home of the Yang zheng hometown of zhangjiajie landscape than jiangnan landscape that opened hong kuo lined with tall even to the mountain mountain rivers For many years Zheng Ziyang, based on the land of his hometown, which is sacred and lush, , poverty and wealth, and magical and simple, has locked the main body of his landscape painting in the performance of strange, dangerous, beautiful and landscape with this as the entry point, line and surface. 1. Strive to express a new aesthetic vision by means of new formal language and mold his artistic personality by expressing his beliefs in ﹄. The original form of traditional Chinese painting and its development to today's form can be roughly classified into two categories: practical writing and free writing. The so-called real writing, is to draw relatively close, rigorous painting style, full composition of the choice is the real writing type of expression method, which is related to his advocating the northern Song dynasty landscape masters Fan Kuan, Li Cheng painting style, and his introverted, calm personality is also not without relationship. Of course, more importantly, when he faced the winding hills, lofty cliffs, long slopes and dense jungle landscape of the Mausoleum, it was really described for him, out of the need of inner feelings, is the expression of his spiritual world more free.
郑自阳是从湖南走向海外的画家，早年师从滕建国、陈白一、易图境，杨国萍等名师，他传承传统，追踪前贤，参透古法，了悟自然，作品色彩明丽、气象高华、意境深远，既有文人画散淡之风、又有宫廷画富贵之气，既有大青绿的着色浓重，又有小青绿的水墨淡彩。郑自阳擅长鸿篇巨构，大制作，大格局、大气势，构图奇伟，开合有理，龙脉蜿蜒，源流有序，整体调子统一，细节变幻和谐，把传统的水墨写意与现代泼墨泼彩的表现性、随机性巧妙地融为一体，通过意匠经营，创造出灵动超脱、静谧悠远的空间境界，使人在似真似幻的艺术意境中，感受到宇宙生命活力之美。郑自阳是柬甫寨画家中杰出的代表，在异域完全不同的文化背景下，能承传中国传统绘画的文脉，融入独特个性语言，借古开今，融会中西，开创新青绿山水画风，不遗余力地推广发扬传统中国画之光大，为中国画在世界画坛占据一席之地作出了应有贡献。新时代，新视觉，新感触，造就一代人的新思维与审思。是这个时代精神追求产物。”不同的历史时期会创造各种新的艺术语言”创造型绘画艺术的发展是一个以新语言代替旧语言不断向前演进的过程,新语言的诞生必定在视觉上造成一种陌生感,迫使人们要去探索其中的奥秘,山水画更注重求、创新。因而才更显其不同寻常的欣赏视觉魅力。当一种语言不断重复时陌生感就会消失,绘画也是如此。对新语言新作品孜孜以求是艺术家生生不息的创造动力。郑自阳就是这样的一位艺术家,自上世纪80年代初踏入丹青之路以来便有会当凌绝顶，一览众山小的抱负,立志在继承传统的基础上，把中国山水画推到一个更新更高的层次。
Since Yang zheng from hunan overseas painter, early from TengJianGuo, Chen Baiyi, Yi Tujing Yang Guoping masters, such as his inheriting tradition, tracking predecessors and understand wine, realization, natural color, bright and beautiful weather gao hua, artistic conception far-reaching, both the literati paintings only learned the wind, and the breath of palace painting with a silver spoon in her mouth, both big green color thick, and there was a small green ink and light colour. Zheng from Yang is good at literature in huge, big, big pattern, the great momentum, the composition is decoration, opening and closing, winding dragon vein, origin and orderly, the overall tone is unified, harmonious, detail the traditional and modern ink spilt ink painting freehand brushwork in traditional Chinese color of expressive, randomness, ably by jacquard management, create a clever detachment, quiet space realm and long, It makes people feel the beauty of the vitality of the universe in the artistic conception that seems to be true and unreal. Since Yang zheng is a prominent representative of Cambodia village painters in exotic completely different culture background, the can down the context of traditional Chinese painting, into the unique personality language, ancient open today, combining Chinese and western, create a new green landscape painting style, spare no effort to promote the develop of the traditional Chinese painting, for the traditional Chinese painting and painting occupies a place in the world made due contributions. New era, new vision, new feeling, create a generation of new thinking and thinking. It is the pursuit of the spirit of The Times." Different historical periods will create a variety of new artistic language "The development of creative painting art is a process of replacing the old language with new language, the birth of new language must cause a sense of strangeness in the vision, forcing people to explore the mystery, landscape painting more attention to seeking, innovation. Therefore, it shows its unusual appreciation of visual charm. When a language is repeated over and over again strangeness disappears, and so does painting. Assiduous pursuit of new language and new works is the creative power of artists. Zheng Ziyang is such an artist, since the beginning of the 1980s into the road of danqing will be extremely ling, take a look at the ambition of the mountains, determined to inherit the tradition on the basis of the Chinese landscape painting to a newer and higher level.
