美国新闻中文版本篇文章23270字，读完约58分钟
黄库(1957——),笔名狮吼龙吟,斋名墨极堂,中国湖南资兴人。出生于教育世家。下乡插队“知青”,中共党员,荣誉院士。著名书法家、书法理论家、诗人、学者、辞书编纂家、国礼艺术家。“墨派”艺术创始人,“百变书法”宗师,中国“意书”创立者,中国书法学科理论奠基人。著作《辞类》(300万字),耗十年心血,1993年出版发行,填补中国辞书空白。入选《中国社会科学工具书检索大典》,全国公共图书馆和各大专院校图书馆均有收藏并流经海外。他的书法代表作品被广泛收入国际、国内书画经典并登上国际、国内邮票和景德镇瓷器,12生肖作品已经成为具有标志性的特色文化品牌产品。黄库追求书法的“百变性”和作品的“唯一性”,创建“百变书法”、“工意书”等理论,形成“黄体百变书法”和“黄体百变工意书”,其中“黄体意书”和“黄体百变意书”为中国艺术开辟了革新的道路,极大地推动和丰富了当代书法艺术,使中国书法形成完整的艺术形态,逐步迈向学科性艺术门类。黄库是中国孔子奖章、法国艺术及文学骑士勋章获得者。2019年被授予“世界殿堂级艺术大师”,相继登上纽约时代广场纳斯达克大屏和“时代周刊”。2020年至2021年被授予“新时代雷锋传人”、“国家艺术功勋人物”、国家首届“红色文化品牌人物”、“中华传奇”、“中国传统文化终身成就奖”、“世界非物质文化终身成就奖”、“世界非物质文化传承人”、“联合国非物质文化功勋”等荣誉称号。2015年成立“黄库艺术研究会”,2021年成立“黄库艺术馆”(北京)。中央电视台人物专访片有《写意人生——黄库》(2012年)《黄库艺术人生》(2019年)等。其传略入录《世界名人录》《世界文化名人辞海》《中国当代艺术界名人录》《中国语言学人名大辞典》等。
Huang Ku (1957), pen name Shihu Longyin, alias Mojitang, was born in an educational family in Zixing, Hunan, China. Born into a family of educators. "Educated Youth", member of the COMMUNIST Party of China, honorary academician. Famous calligrapher, calligraphy theorist, poet, scholar, lexicographer, national ceremony artist. The founder of "Mo-school" art, the master of "ever-changing calligraphy", the founder of "Yi Shu" in China, the founder of Chinese calligraphy discipline theory. His book Ci Category (3 million words) was published in 1993 after ten years of painstaking efforts, filling the gap in Chinese dictionaries. It has been selected into the "Chinese Social Science Reference Book Retrieval Dictionary", and has been collected in public libraries and colleges and universities all over the country. His representative calligraphic works have been widely included in international and domestic painting and calligraphy classics and listed on international and domestic stamps and Jingdezhen porcelain. The 12 zodiac works have become iconic cultural brand products. Huang Ku pursuit of calligraphy works of "hundreds of degeneration" and "uniqueness", creating calligraphy with ever changing images, such as "work" theory, the formation of "corpus luteum changed calligraphy" and "corpus luteum varioplex meaning book", the "corpus luteum book" and "corpus luteum changed book" for the Chinese art has opened up a road of innovation, greatly promote and enrich the contemporary calligraphy art, Make Chinese calligraphy form a complete art form, and gradually move toward a disciplinary art category. Huang Ku is the winner of the Confucius Medal of China and the Chevalier de Arts and Letters of France. In 2019, he was awarded the "World Palace Master of Art" and successively appeared on the Big screen of The Nasdaq in Times Square and time Magazine in New York. From 2020 to 2021, was awarded the "new era from lei feng", "national art man", the state of the first "red culture" brand, "the legend", "Chinese traditional culture the lifetime achievement award", "world intangible cultural lifetime achievement award", "world intangible cultural heritage", "the United Nations non-material cultural meritorious service" and other honorary titles. In 2015, "Huangku Art Research Society" was established, and in 2021, "Huangku Art Museum" (Beijing) was established. CCTV's profile films include Freehand Brushwork Life -- Huangku (2012) and Huangku Art Life (2019). His biography is included in The World Who's Who, Dictionary of World Cultural Celebrities, Chinese Contemporary Art Circle Who's Who, Chinese linguistics dictionary of Names and so on.
探究法理著书论 由工济意作先锋
――记著名书法家、书法理论家黄库
作者:田继学
仓颉造字远取诸物,近取诸身,汉字源于物象的摹写,成为千字的朴实智慧。书法由此为起点,经过5000年的演化,有了篆隶楷行草源变与沉淀,又将走向何方?似乎很少人深刻地在考虑到这个问题。当代著名书法家,书法理论家黄库先生,站高立远,站在文化传承与发展探究的角度,对书法的曾经的缘起流变,以及在当下书法的表现形式,还有未来的书法的创新脉络,一一梳理,给出自己独到的见解。
他用书法理论的深刻和书法实践的扎实,让自己成书法界的善碑帖之修,善深度思维的实力派。他临摹碑帖精益求精,思考未来觉悟深刻。正是有黄库先生这样的书法实践理论皆有超能的大家的探究,让我们在回往书史的时候,不会感觉糊涂,在展望书法未来的时候,也不会迷茫。当然,依照黄库先生的理论指导,让我们在经营书法的当下之际,总是可以在介入翰墨磨砺的过程中,可以做到得其智,修其巧,游刃有余。所以说黄库先生的书法理论的构建与书法实践的展现,从大局来看是美术史上的灯塔,从书法修炼个体的角度来看,可以视为前行的路标。
他的书法理论体系构建非常弘大,但是有灵魂。母子书工意书,这六个字精妙论述,就把书法的来龙去脉提炼得非常透彻,且深入浅出,一点成透!母书为毛笔书法,子书为硬笔书法,工书是碑帖的流传,意书是流传之后的再创新。他是意书理论的创建者也是实践者,意书是书法的未来发展,萌生在当代的一个起点,黄库先生以意书之论,为未来书法发展创建了一个“活点”,就书法和文化的创新而言,功勋不俗。
意书法出于工,功在于新,将要改变五体书法创作的基本范式,在用笔、用墨、结体、章法上形成自有的实践特征,要把书法作为符号艺术的写意特点发挥到极为神奇的境界。从书法文化史的前后关照来看,他在甲骨文大篆等这些先古书法作出空间上的回应。只不过甲骨文在写意物象的时候,是出于眼观所得,照物画物的结果。而黄库先生的意书,则与甲骨文的象形有本质的不同,他的写意书法,更多的是表现心理活动映射给线条运动之后的抽象表现,属于灵犀一点通,参意物象之形,而忠于内心对事物的感受,感受的镜像就是意书的本质。
所以说意书是更为高级的心理活动的表现和结果,是通神之迹,神秘感和空灵美,意象美和抽象美同时存在。虽然传统的篆隶行草楷与有写意性,但是在这些传统书体的创作,究竟是无法摆脱实用范式束缚的,形态基本是固化的,神态总是有限的。但是观赏黄库先生创作的意书作品,可以表意放在顶端,把实用记事作为辅助,可以非常明确的告诉大家,这样的书法是真正的性情表意,是真正的心灵写意。落花飞雪何茫茫是其诗意,飘风骤雨惊飒飒是其触意,强弩欲张铁柱欲方是书法的力意,写意真率,不出工拙,不求最佳乃为最佳!
探究法理著书论,由工济意作先锋。当下的书法,仍旧处于工书的阶段,但是经由黄库先生的创立,意书已经有了理论与实践的种子!假以时日,这种古未有的书法艺术新形态,会成为根深叶茂的参天树。由此可知,对于书法的未来,黄库先生必然是借古开今功有大成的标志性人物!
著名书画评论家 田继学
2020年3月26日
To explore the law and write books is the pioneer of gongji
-- Huang Ku, a famous calligrapher and calligraphy theorist
Author: Tian Jixue
The character of Cang Jie is far from all things and close to all bodies. Chinese characters are derived from the description of objects and become the simple wisdom of thousands of words. From this point of view, calligraphy has undergone 5000 years of evolution. With the changes and precipitation of seal script, script script, script script, running grass, what direction will it go? Few people seem to be thinking deeply about this. From the perspective of cultural inheritance and development, Mr. Huang Ku, a famous contemporary calligrapher and calligraphy theorist, combed out the origin and evolution of calligraphy in the past, the expression form of calligraphy in the present, and the innovation vein of calligraphy in the future, and gave his own unique opinions.
With his profound theory of calligraphy and solid practice of calligraphy, he has made himself a skilled calligrapher in the field of inscription and deep thinking. He copied the inscription for perfection, thinking about the future consciousness. It is the exploration of calligraphy practice theory like Mr. Huang Ku that makes us not feel confused when we go back to the history of books, and not confused when we look into the future of calligraphy. Of course, according to the theoretical guidance of Mr. Huang Ku, let us at the moment of operating calligraphy, always can be involved in the process of calligraphy, can do its wisdom, practice its skill, with ease. Therefore, the construction of Mr. Huang Ku's calligraphy theory and the display of calligraphy practice are a beacon in the history of art from the overall point of view, and can be regarded as a road sign for the future from the perspective of inpidual calligraphy cultivation.
His calligraphy theory system is very large, but has a soul. Mother and son book meaning book, these six words exquisite discussion, the calligraphy of the origin and development of the refining very thorough, and simple, a point into a thorough! The mother book is brush calligraphy, zi shu is hard pen calligraphy, Gongshu is the spread of inscription, meaning book is the spread of innovation. He is the founder and practitioner of yi Shu theory, yi shu is the future development of calligraphy, initiation in the contemporary starting point, Mr. Huang Ku with yi Shu theory, for the future development of calligraphy to create a "living point", in terms of calligraphy and cultural innovation, outstanding achievements.
Italian calligraphy is out of work, power lies in the new, will change the basic paradigm of five-body calligraphy creation, in the use of pen, ink, composition, the formation of its own practice characteristics, calligraphy as a symbol of the art of freehand brushwork to a very magical realm. From the perspective of the cultural history of calligraphy, he made spatial responses to the ancient calligraphy such as oracle script and Zhuan. But the oracle bone script in freehand images, is out of the eye observation, according to the results of painting things. His freehand brushwork is more about the abstract expression of mental activity mapped to line movement, which belongs to taking a hint when a hint is taken, and is faithful to the inner feeling of things. The mirror image of feeling is the essence of the book of meanings.
Therefore, the book of meaning is the expression and result of more advanced psychological activities, is the trace of god, mystery and ethereal beauty, image beauty and abstract beauty exist simultaneously. Although the traditional script script, script script, script script and script script have freehand style, but in the creation of these traditional scripts, it is unable to get rid of the shackles of the practical paradigm, the form is basically solidified, the expression is always limited. But watching Mr. Huang Ku's calligraphy works, you can put the meaning on the top, the practical notes as an assistant, you can very clearly tell everyone that this calligraphy is the real meaning of the temperament, is the real heart freehand brushwork. Falling snow is the vast expanse of its poetry, the wind and rain is the rustling is its touch, strong crossbow to zhang Tiezhu is the force of calligraphy, freehand brushwork true rate, not the best, not the best is the best!
To explore the law and write books, gongji yi as the pioneer. Calligraphy at present is still in the stage of gongshu, but through the establishment of Mr. Huang Ku, Yi Shu has already had the seeds of theory and practice! Over time, this ancient new form of calligraphy art will become a tall tree with thick roots. Therefore, for the future of calligraphy, Mr. Huang Ku is bound to be a symbol of great success through the past and the present!
Famous painting and calligraphy critic Tian Jixue
26 March 2020
斐然有神 妙趣横生
——解读黄库书法艺术
欧阳中石
我和很多热爱书法艺术的朋友一样,是从黄库先生的书法作品认识他的,是他的作品吸引了我,久而久之,使我对他有了深刻的了解。
黄库有着深厚的书法理论基础,良好的汉字书写功底,广识博学的综合文化素质,刻苦认真的自学毅力与创新精神,优秀的艺术道德境界和艺术品格,这便使他的书法艺术有了灵气和生命力。
综观他的书法作品使人感到新而不薄,华而不媚,成篇作品不失法度,少字作品不失大器,柔刚相济,雄秀并举,血肉丰满,结构天成。师古而不泥古,求新而不取宠。此乃“众多古人铸于心,予以笔,集百家之长融于他自己。”
他的书法肥而有骨,骨肉相济,活泼而灵动。那用笔的多变,章法的烂熟,上下的映带,左右的顾盼,错落起伏,跃然纸上。在那流动的线条中,方圆、疏密、大小、长短、粗细、浓、淡、枯、湿多变灵活。大气磅礴如行云流水,真可谓标新立异、匠心独具,已有了自己独特的笔法和别具一格的艺术表现形式。
他的艺术魅力不仅仅给人以艺术欣赏,而且给人以精神享受。他的作品,“柔中有刚、秀中见奇,乃笔爽爽而有神助。”我 “赏罢黄库的书法,再理解书中内容,真有沐浴、更衣、焚香之后捧读线装书之感。线香、墨香、字香、文香四香皆溢,鼻舒、眼悦、心旷、神怡四享俱佳。”写出了读者的真情实感。
他并没有骄傲,他认为书法的最高境界是写心、写思想、写感情。黄库先生的书法已达到了这一境界。他把传统的书法技巧有机地同现代书法相结合,用抽象的奇妙书法技巧大胆地创新,其丰富的墨色变化妙不可言,字一笔书就,一气呵成,俨然蛟龙戏水,巨龙游天,把写意画的用笔手法溶入字中,字中有画,画为字用,行笔错落起伏,气度非凡,使观者叫绝。写出了他对笔墨人生的感悟。
对于黄库先生来说,书法是他一生的热爱和追求,也是因为这份执着,他的人生比平常多了几份坎坷,也多了几份精彩。
万般皆下品,唯有读书高。书法家黄库,他以外若飞仙,飘逸洒脱,内似硬汉,刚筋铁骨,一笔一划写出恒久的人格魅力。他甘于寂寞,以天生的素质对书法这种艺术的醉梦般的钟情使自己一步一步地走向了书法艺术的殿堂。
2016年3月北京
There's a lot of fun in it
-- Interpretation of Huangku Calligraphy Art
ouyangzhongshi
Like many friends who love the art of calligraphy, I got to know Mr. Huang Ku from his calligraphy works. It is his works that attract me, and over time, I have a deep understanding of him.
Huang Ku had profound theoretical basis of calligraphy, good writing skills of Chinese characters, comprehensive cultural quality of wide knowledge and erudite, assiduous self-study perseverance and innovation spirit, excellent artistic moral realm and artistic character, which made his calligraphy art have the spirit and vitality.
A comprehensive view of his calligraphy works make people feel new but not thin, flashy, into the works do not lose the law, less word works do not lose great, soft and just phase, xiongxiu simultaneously, flesh and blood, structure tiancheng. Division without mud, innovation without favor. This is "cast in the mind of many ancients, to write, collect hundreds of long in his own."
His calligraphy is fat and bony, lively and clever. The changeful use of the pen, familiar with the rules, up and down the projection belt, around the look, strewn at random ups and downs, leap on the paper. In the flowing lines, radius, density, size, length, thickness, thick, light, dry, wet and flexible. Majestic as flowing water, really can be described as unconventional, original, has its own unique brushwork and a unique form of artistic expression.
His artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. In his works, "there is firmness in softness, strangeness in show, but the pen is cool and pine help." After appreciating Huang Ku's calligraphy and then understanding the contents of the book, I really feel like reading the wire-bound book after bathing, changing clothes and burning incense. The fragrance of thread, ink, character and culture are all overflowing, the nose is comfortable, the eyes are happy, the heart is relaxed, and the spirit is happy." It expresses the readers' true feelings.
He was not proud. He believed that the highest state of calligraphy was to write hearts, thoughts and feelings. Mr. Huang Ku's calligraphy has reached this level. He put the traditional calligraphy skills organically combined with the modern calligraphy, wonderful calligraphy skill with abstract bold innovation, its abundant gradation change and a wonderful day and a word is a book, with one, just like water dragon, the dragon day, xieyi painting pen technique into the word, the word in the painting, painting for the word to use, by ups and downs, bearing is special, make the viewer. He wrote his perception of pen and ink life.
For Mr. Huang Ku, calligraphy is the love and pursuit of his life, but also because of this perseverance, his life is more bumpy than usual, but also more wonderful.
All kinds of inferior, only reading high. Calligrapher Huang Ku, he is like a flying fairy outside, elegant and free, inside like a tough man, just muscle iron bone, a line of permanent charm of personality. He is willing to be lonely, with the innate quality of the art of calligraphy drunk dreamlike love to make himself step by step towards the palace of calligraphy art.
Beijing, March 2016
敬畏经典守传承 锐意创新百变功
——记著名书法家黄库
黄库是极具传统品质的文人,才华横溢,凡属文化艺术无所不触,皆得精深。善文章为诗人,修辞书为学者,又研究书法实践与理论,成为理论与实践双功皆成的大师级人物,其对文化事业的卓越贡献,有专题片《写意人生——黄库》在央视播出。他凭借独创文化新意象的“意书”书法功绩,被称为百变书法宗师。
何谓百变?
先不论“变”,因为黄库书法的百变气势首先是源于“守”的基础。万变不可离宗,所以要深刻理解黄库书法的百变风尚,首先要探源他书法艺术的传承厚基。
黄库对于书法,有万分的敬重。自入书法行,修尽碑帖,敬畏经典,崇尚先贤,书法修养取法乎上,练就了扎实坚固的笔墨功底。真正达到了精修古法,诸书皆成的书家大能。
隶书《厚德载物》这幅作品,结体方正,笔法刚柔能济,墨意和谐,隶书精华取于汉隶巅峰,十碑美姿融会一体,碑迹有源于《礼器碑》、《乙瑛碑》、《石门颂》等等,凡是汉隶,不但读到,并且写到,书法文化研修之深,可谓无与伦比。所以他的隶书创作大涌高古气质,一望生辉,笔墨旧迹陈功历历在目。
说到传承与经典,还可以赏看魏碑榜书《马》、《十二生肖》功力之深,果然是大师手笔。魏碑之美路人皆知,但是写出古风原质实属不易。黄库魏碑端正华美,刀切锐利,力挽千钧,又要兼备诸体,以笔迹成刻迹,极能检验书法家的笔法能力。常人对魏碑,一般是绕过不修,以免功力不济,修而不得,反倒出丑。不练魏碑,书家品质就会缺少绝坚碑质,所以无论楷、行、草,都会先天不足。黄库对魏碑不但情有独钟,并且深修入境,《马》书成榜,笔能切岩,势能惊天,一字见真功。《十二生肖》魏碑之成,才致诸书有道。
综上所观,黄库书法是以高古为质,以传统为根的。正是因为深入高古,源出有根,所以作为书法理论家的黄库才高瞻远瞩,提出书法的百变理论,创造意书百变新形态,在继承的基础上开拓创新,引领书风走出一味师古且泥古的流弊,开创书坛涌新风的时代潮流,成为创派新宗。黄库创造百变书体的功成,说明这样一个问题:师古不是书法的建功立业,而是建功立业的基础,唯有在师古的基础上再创书坛奇迹,才是书者建功立业的重要标志。黄库之所以著称大师,与柳公权、颜真卿、启功等人同样,是因为皆有创新功。
理解了黄库的对书法经典的崇敬和传承,便会更加敬仰黄库书法的百变之创。下面,我们一起来仰赏黄库书法的百变之美——观赏《墨趣》一幅,可知百变书法要义根本。黄库书法根本理论是“阴阳审美逻辑”在书法创作中的落地实践。
阴阳即是太极,也是和谐。墨与白融,方与圆和,逸与沉映,长与短顾。百变书法,就是取天地运行机制的简朴要义,写道机于笔墨,悟天地成书法,通过墨色与笔画的太极变形,以简变成万变,万变有趣,直趋人心中天然存在的“和谐为中意”的审美潜意识。
你看“墨”字,右边笔画趋圆,以收为形,左边笔画示方,以开为势。再看起笔为仰天姿态,收笔为落地情怀,笔势顾应回环,百变包裹其中,酝酿宇宙天象,机趣深刻,示形为简,太极之意,阴阳之寓。
再看“趣”字,左书为直瘦,右书为雍容,主仆相随,有情有景,和谐悦目。墨色上为天,却反取沉厚,下为地,却取飘逸,天地能转,意境能换,辨与证的思索,悄然入笔墨。
读懂黄库书法百变玄机或许是困难的,因为禅意道机未必是常人所思。但是看懂黄库书法的百变美姿也并不易,因为只要我们用“对称”“非对称”这两个最基本的“自然道”视角去观赏百变书法,就会突然发悟:变是永恒,和是追求,人生即如此。
所以黄库的百变书法能很容易切中我们的人生积淀,能很好与我们的人生感念融为一体,成为通心启智的贴心抚慰。读黄库的百变书法,就是回望的人生,亦能从中期望到未来。书法线条的百变之美寓意人生之境,神机之变,立涌可现。所以,无论是看《福》、《寿》、《马》、《义》、《龙》、《虎》、《家》看到的不止于字态奇异美观,还有人生百变的无尽感叹,从这一点上来论,黄库的百变书法就是书法艺术的升级版本,以智慧为胜!
黄库草书最能变,因为草书是个性是情绪。百变草书是黄库书名大显书坛的重量级作品。《春晓》、《故人西辞黄鹤楼》、《鹅鹅鹅》的墨色变化是天云纷涌,酝酿的是气象百态,自然万象,情感百态,都能在黄库的草书里找到对应的切点,一看而识天机,倾赏能动心,这就是笔墨能变的教化与引导功能,或者说是无穷无尽的书法艺术感染力。黄库草书,是追怀素达张旭的癫狂形态,更有自得境动人心的艺术内涵,青出于蓝胜于蓝并非虚赞。
敬畏经典守传承,锐意创新百变功。黄库书法是安分的传统文人主义。从创新能力来看,黄库书法又是锐意进取的新派大手笔。他的书法造诣揭示了这样一条艺术规律:书法艺术的进化提升永远不会停止,因为总有黄库这样的卓越前行者!
华艺书韵文化传媒艺术总监
著名书画评论家史峰
Revere the classics, keep the inheritance and innovate with determination
-- Huang Ku, a famous calligrapher
Huang Ku is a man of letters with traditional qualities, brilliant and profound in all aspects of culture and art. Shanwen is a poet and rhetorical book is a scholar. He also studies calligraphy practice and theory, and has become a master of both theory and practice. His outstanding contribution to cultural cause has featured the feature film freehand Brushwork Life - Yellow Library, which was broadcast on CCTV. He is known as the master of ever-changing calligraphy because of his calligraphy achievements of creating new cultural images.
What is change?
Regardless of "change", because the dynamic momentum of Huangku calligraphy is first derived from the basis of "shou". Therefore, in order to deeply understand the changing fashion of Huang Ku's calligraphy, we should first explore the inheritance of his calligraphy art.
Huang Ku had great respect for calligraphy. Since entering the calligraphy line, repairing the monument, Revere the classics, advocating the sages, calligraphy cultivation, practice a solid solid ink foundation. He really achieved the ability of a calligrapher to refine the ancient law and become a scholar of all books.
Official script "hold world with virtue" this painting, the nexus of contracts, founder brushwork can combine pliability, ink means harmony, official script essence in han nationalities peak, ten stone combines beautifying figure, monuments, mark has originated from "the sacrificial vessel tablet", "YiYing tablet", "ode to shimen" and so on, all han nationalities, not only to read, and write, calligraphy culture research, is unparalleled. Therefore, his clerical script creation greatly gushis ancient temperament, a look of shenghui, old ink traces of Chen Gong vividly.
Speaking of inheritance and classics, we can also appreciate the strength of Wei Bei's horse and Chinese Zodiac, which are indeed written by masters. The beauty of Wei Bei is well known, but it is not easy to write the original nature of ancient wind. Huangku Weibei is beautiful, sharp knife cutting, force wan qianjun, but also to have all kinds of body, handwriting into marks, very can test calligrapher's brushwork ability. Ordinary people on Wei Bei, generally bypassed not to repair, so as not to repair, but make a fool of themselves. Do not practice Wei Bei, calligrapher quality will lack absolutely solid quality, so no matter kai, line, grass, will be congenital deficiency. Huang Ku to Wei Bei not only have a special liking, and deep repair entry, "Horse" book into the list, pen can cut rock, potential energy, a word to see the real work. "Zodiac" Wei Bei into, to all books youdao.
To sum up, Huangku calligraphy is based on antiquity and tradition. It is because the ancient, has become the source of a root, so as the calligraphy theorist Huang Ku vision, put forward the ever changing theory of calligraphy, create meaning book changed new form, in succession on the basis of innovation, leading the wind out of the book blindly ancient and old evils, create a gallery chung behavior trend of The Times, become a New Deal. Huang Ku's success in creating a varied style of calligraphy shows that calligraphy is not the meritorious service of calligraphy, but the foundation of meritorious service of calligraphy. Only creating the miracle of calligraphy on the basis of calligraphy is the important symbol of a calligrapher's meritorious service of calligraphy. The reason why Huang Ku is famous as a master is the same as Liu Gongquan, Yan Zhenqing and Qigong for their innovation.
Understanding huang Ku's reverence and inheritance of calligraphy classics, will be more respectful of huang Ku's creative calligraphy. Next, let's admire the beauty of huang Ku's calligraphy - appreciate "Ink fun" a painting, we know the essence of changing calligraphy. The basic theory of Huang Ku's calligraphy is the practice of "yin-yang aesthetic logic" in calligraphy creation.
Yin and Yang are tai Chi and harmony. Ink and white harmony, square and round harmony, ease and deep reflection, long and short. Changing calligraphy is to take the simple essence of the operation mechanism of heaven and earth, write the machine in brush and ink, understand the heaven and earth into calligraphy, through the tai Chi deformation of ink and brush strokes, change the simplicity into all kinds of changes, all kinds of changes are interesting, straight to the natural existence of "harmony for the love of" aesthetic subconscious.
Look at the character "ink". The strokes on the right are round and close in shape, while the strokes on the left are square and open in potential. Look at the beginning of the pen for the posture of the sky, the pen for the feelings of the ground, the pen should be back, all changes wrapped in it, ferring the universe, machine interest deep, show the form is simple, the meaning of Tai Chi, Yin and Yang.
Look at the word "interest", left book is straight thin, right book is elegant, master and servant, sentient beings have scenery, harmonious and pleasing to the eye. The ink is the sky, but instead takes the thick, the ground, but takes the elegant, heaven and earth can turn, artistic conception can change, the thinking of discrimination and proof, quietly into the ink.
It may be difficult to understand the various mysteries of Huang Ku's calligraphy, because the Zen Tao May not be what ordinary people think. However, it is not easy to understand the varied beauty of Huang Ku's calligraphy, because as long as we use "symmetry" and "asymmetry", the two most basic "natural path" perspective to appreciate the varied calligraphy, we will suddenly realize that change is eternal, harmony is the pursuit of life.
So Huang Ku's ever-changing calligraphy can easily cut into our life accumulation, can be very good with our life feelings into an integral whole, become the intimate comfort of heart qi Zhi. To read Huang Ku's ever-changing calligraphy is to look back at life and to look forward to the future. The changeable beauty of calligraphy lines implies the state of life, and the change of the machine can be seen. Therefore, whether it is to see "Fu", "Longevity", "horse", "righteousness", "Dragon", "Tiger", "home", see not only the strange and beautiful character, but also the endless sigh of life changes. From this point up, Huang Ku's changeable calligraphy is the upgraded version of calligraphy art, with wisdom to win!
Huangku cursive script is the most changeable, because cursive script is personality is emotion. The hundred changes cursive script is the title of the huangku book. "Chunxiao", "the old west yellow crane tower", "goose goose goose" inky change is vitreous flocking, a weather provide brewing, natural phenomena, emotional factually, can find in the cursive script of Huang Ku corresponding tangent point, a look and to enlighten tilting of the reward can be tempted, this is the pen and ink can get enlightenment and guidance function, or endless calligraphy artistic appeal. Huangku cursive script is a crazy form of zhang Xu's pursuit of Huaisu. It has more artistic connotation of self-satisfaction and touching heart. It is not an empty praise to outdo blue.
Revere the classics, keep the inheritance and innovate with determination. Huangku calligraphy is a peaceful traditional literati. From the point of view of innovation ability, Huang Ku calligraphy is a new style. His calligraphy atments reveal such an artistic rule: the evolution and promotion of calligraphy art will never stop, because there are always outstanding forerunners like Huang Ku!
Art Director of Huayi Shuyun Culture media
Famous painting and calligraphy critic Shi Feng
