美国新闻中文版本篇文章12936字，读完约32分钟
Art resume
Xu Jiajue, a national first-class artist, graduated from the Chinese Painting Department of the Guangzhou Academy of Fine Arts. He was the dean of the Guilin Academy of Fine Arts, the director of the Guilin Art Museum, the Guilin Artists Association, and the vice chairman of the association. Currently a distinguished professor of the Training College of Renmin University of China, a member of the Chinese Artists Association, a member of the Heshan Painting Association of the Chinese Artists Association, a researcher of the Institute of Traditional Art of Peking University, a researcher of the Chinese Society of Chinese Studies, a master's tutor of the Academy of Fine Arts of Guangxi Normal University, and the People's Liberation Army of China Distinguished Professor of the Political Department of the Airborne Air Force Academy, Librarian of the Research Library of the Wenshi Museum of the Guangxi District Government Counselor Office, Deputy Dean of the Art and Calligraphy Academy of the Guangxi District Government Counselor Office, Honorary Dean of the Guilin CPPCC Painting and Calligraphy Academy, Honorary Dean of the Guilin Academy of Painting, Guilin Honorary curator of the art museum, senior consultant of Guilin Chinese Culture Promotion Association. In 1997, the "Medal and Certificate" works of the Top 100 Chinese Painting Artists awarded by the China Federation of Literary and Art Circles and the Chinese Artists Association were exhibited in Beijing Yanhuang Art Museum. In 2014, the works selected by the National Art History Project "New China Artist Series" were exhibited in the Art Museum of China National Academy of Painting.
Published "Selected Works of Xu Jiajue, a Hundred Chinese Painter", "Landscape Works of Xu Jiajue, a Hundred Chinese Painter", "Landscape Paintings of Xu Jiajue, a Victorious Relic on the Lijiang River", "Sketches of Xu Jiajue's Sketches of Lijiang's Shape and Victory", "Xu Jiajue Landscape Paintings", "Xu Jiajue's Art and Teaching Research" New China Artist Series Xu Jiajue and other 11 works. The works were selected into 81 collections. Published works and articles in 11 professional magazines such as "Fine Arts", "Chinese Painter", and "Rongbaozhai".
"Riverside Family" 200×200cm 2009
Xu Jiajue's Ruralism
Author: Liu Xin
Repeated dozens of steps, suddenly enlightened. The land is flat, the house is just like, there is a genus of mulberry and bamboo in the beautiful pond, the forest path, chickens and dogs hear each other. (Tao Yuanming "Peach Blossom Spring")
This is Tao Yuanming's and ideal place to retreat. It is actually a very ordinary village, and it is not difficult to see such a village now. The many villages in Mr. Jia Jue's writings give me the same feeling, plain and common, but there are more simple and amiable or clean and bright artistic conceptions. Indeed, Mr. Jia Jue is a landscape painter I like very much, especially his native sketches, which have long been my favorite.
"Water Village Fishing House" 45×97cm
I always thought that the landforms of my hometown, the aura of the mountains and rivers, the influence of a person's creation, the shaping of the spirit, have the promise of cutting into the skin. Shen Congwen once said: I learned to think about everything with a small brain, and it was all due to water. My deeper understanding of the universe was also due to water (Shen Congwen's "The Relationship between My Writing and Water"). Therefore, the rivers in western Hunan and there have contributed to the background of Mr. Shen's writing. Mr. Jia Jue’s landscape paintings in recent years also have their own background color, and they should be “Nuannuanyuan Village, Yiyixu Liyan” in the forest world.
"Spring Comes to the World to Know the Plants and Trees" 45×97cm
In Guilin, it is not easy to find an authentic painter who uses the pen and ink method of Chinese painting to paint the local landscape and the warm taste. For this Xu Jiajue is an iconic figure. Not only is his way of sketching convincing, but also His paintings also have a strong rustic flavor and artistic quality permeated with culture.
"Autumn in the Mountain Family" 230×145cm
From the past to the present, the landscape of the Lijiang River, one of the best in the world, has attracted the attention of many people and occupies most of the resources of Guilin's landscape painting. Many painters who come to Guilin to sketch from life are mostly whitewater rafting on the Lijiang River, writing about the scenic beauty of Lishui and the reflections of the green bamboos. In fact, there are many fascinating rural worlds in the mountains on both sides of the Lijiang River, such as green hills, cottages, small bridges, streams, and pastoral homes. Jiajue has painted the misty rain of Lishui, but more of his feelings are invested in the countryside, around Guilin, and in the vast north of Guangxi, Yangshuo, Longsheng, Sanjiang, Xing'an, Quanzhou, Guanyang, Huangyao... He draws his favorite places for traveling, and some go several times. Anyway, as far as sketching is concerned, he has a special love for the countryside. In some ancient towns and mountains, we still yearn for it through his sketching.
"Wind and Rain High Step Village" 45×97cm
The viewing and feelings of artistic expression have their own boundaries. Xu Jiajue's paintings of the surrounding countryside of Guilin and northwestern Guangxi are mostly sketches, which is a kind of personal experience of blending oneself in, placing oneself in the mountainous countryside. It takes many years to look at it, and it takes many years to paint it for many years. The rustic quality of painting in a sincere and simple style is very beautiful and moving.
"Gubei Shanjia" 230×145cm
In Guilin, there are also several "shapes" of the local landscape. There are several painters who can paint their own characteristics, but Xu Jiajue is the most realistic one who paints small farm landscapes and rural landscapes, and Xu Jiajue is the best one.
"Jia Mu Fan Yin" 45×97cm
In the field of Chinese painting in the 20th century, the introduction of the artistic concept of sketching from life and entering into life is the two major drivers of Chinese painting's new look of the times, and out of the realm of the ancients that have been "accumulated" in the spirit and method of Chinese painting for a long time. Although this road is still a great road, the road that pays attention to the ontology of traditional Chinese painting is also very strong at the moment, aiming to reinterpret or review the tradition. If you put aside the meaningless argumentation of etymology, I think "sketching from life" in the past and today is a spirit of spirit, emphasizing subjective writing, and the implied business anger, only in the concept and behavior of facing life. Bifurcation. In the past, the Chang'an School of Painting advocated "stretching one hand to tradition and the other hand to life" is a vernacular, but it occupies the height of the times, and the intention of the school is very different from the past. Xu Jiajue roughly follows this path, but when you look closely, it is not entirely true. There are always some personal repairs, such as artistic conception, style, and pen and ink methods. It is not all life or sketching. There is always a kind of gentleness. The poetry and a clean state of mind.
"Autumn Colors Are Intoxicating" 230×145cm
Nowadays, the description of the countryside, the melody, the image, the text, etc., are all compensations for a field that is missing in the modern spirit. Many of them have risen to the feelings of intellectuals. Shen Zhou, a Ming man, is a typical "kind of love". Suzhou naturally has more water and fewer mountains, so there is always a missing piece in Shen Zhou's feelings, and he is unwilling! Modern people are even more so. However, Mr. Jia Jue's village landscapes are not the same as Shen Zhou's countryside and scenery, but they are the same as the countryside of novelist Shen Congwen, with pastoral narrative style and realistic local lyricism.
"Golden Wind and Wan Lai" 45×97cm
In fact, further forward, Mr. Ye Lumei is also a very amiable senior at the peak of Guilin landscape painting. Very early on, Xu Jiajue and Mr. Ye Lumei had a relationship between teachers and students. The elegant brushwork and the ability to control landscapes have some consistent inheritance in the wonderful parts of the paintings. It’s just Jiajue. The husband used it in the countryside. The road of mountains and rivers is still a crowded avenue. After all, painting those vegetable garden farmhouses, chickens and dogs hearing each other, is the tone and background color of Xu Jiajue's temperament.
"Autumn in the Mountain Family" 230×145cm
It’s strange that it’s not a purely eye-catching object in the countryside. Therefore, when painting the countryside, it is easy to look at it with feelings; copying is not the right way, and painting to the level of “good quality” is no business even if it is advanced. This point is the same both at home and abroad. It is not unreasonable for Van Gogh to pursue Miller. Jia Jue’s work is an authentic academic skill. If he shows off his skills or simply takes down an object, he has the capital. But the paintings you see will generate thoughts, change your ideas, fascinate, and plain Chinese... This is the "feelings" and "kung fu" that we often talk about. This thing is not for everyone. To get it, not to mention it is not a must for sketching.
"Green Pen Helps the Sound of Autumn" 45×97cm
Mr. Jia Jue's sketches are "Plain painting seeks long-term", not the way of "Crazy and strange seeking reason" (Liu Dao-chun). His own personality and the meaning of brushwork and coloring are all straightforward in plain and simple writing. Jiajue's happy color, more green, with a little pink, there is a kind of elegant temperament in the moist air, and it does not interfere with the beauty of the ink. The countryside, in the eyes of literati, may have this quietness and inaction, without seeing the rustic, so it is also endowed with an elegant atmosphere. This is an aesthetic paradox, and therefore, compared with pure ink and wash, Jia Jue’s sketches The painting is more novel and interesting in his own language.
"Harvest Season" 230×145cm
The soul of literature is human studies, human affections, joys and sorrows, beating between words, and entering people's feelings; painting is also this way, but because it is a visual trace, it is easy to get away from the smell of the world. The reason why landscape postcards are boring is because there is no such human smell in them. Jiajue’s rural landscape is of course the narrative style of landscape painting. At best, a few characters in the scene are looming, but there is no man’s realm with high standards. Linquan’s beautiful scenery is everywhere in the country’s vitality, fireworks and fireworks in the world. Emotional touch scenes, big scenes and small scenes can paint this kind of touch of spring on earth.
"In the Rain" 45×97cm
They all say "poetic dwelling." From the perspective of Song and Yuan paintings, where is the luxury of life in this state? It was life at that time. Now that material matters, not only the objective world, but also in the human spirit this kind of "dwelling" is no longer advocated. But it also happens to be another spiritual yearning outside the material world. There are different options and methods in the hands and spirit of different people. Among them, the natural view of the painter, the "sketching" of the rural world, can best make this This kind of "poetic dwelling" has the possible authenticity, so that people can have a clean and simple vision and perspective in this world, just like the "ruin aesthetics" that emerged in Europe in the mid-18th century. At that time, European intellectuals and the middle class were so enthusiastic about the ruined walls left in the Roman civilization. The spiritual journey through history has become the poetry and imagination they yearn for. In China, this kind of poetic and imaginative culture has been invested in the countryside, but because of the lack of a corresponding spiritual environment, it is rare for the “countryside” to add beauty from it. Now, the great changes in urbanization construction, a kind of rural land that allows people to have visions and visions in people’s minds, is back: in people’s concepts, feelings, and behaviors, this is after all a kind of in the slits. The main theme of the rare human nature. I like Mr. Jiajue's local sketches, and many of them are based on this reason.
"Longtan Noon" 230×145cm
Although Mr. Jiajue’s hometown is sketchy and literati’s mind, it has the air, far away, and has a sense of face, just like Tang Bohu envied his friend Hong Bozhou in "Ai Xi Ji", using Yanbo as his home. The secluded nature of "just taking the heaven and the earth" is really so simple, that it is high-level.
March 2020
It is recommended to view horizontally
"The First Coming of Infinite Scenery" 244×1342cm 2011
